I’ve been kind of consumed by something else lately. I’ve been trying to write Java programming for a personal project of mine. But usually when I get consumed by something like that, every now and then something else manages to hit me out of left field, and I’m left astonished because I never saw it coming. This time around it was a movie I watched on Blue Ray the other day, a movie called Sideways.
I heard the movie was pretty good, so I had bought it on Blue Ray back when Best Buy had it on sale. Of course, buying a movie and then finally seeing it are two different things as my time is usually very limited. But on the weekend, I decided to take a few hours and actually watch the movie I had bought weeks ago.
I’m usually not that taken in by movies, as I’ve become a very cynical critic of most movies I see these days. Don’t get me started on the whole remake phenomena that seems to be going on these days. But as I watched Sideways, I realized I was seeing something that was rare. It was not only a very good movie with excellent acting from everyone in it, but the writing was superb. From a writing standpoint, there’s a moment when you’re watching superb writing that you start to realize it, and for me it was pretty deep into the movie because I hadn’t even realized it was affecting me so. But at one point, I even felt the scene hitting me because the writing was so perfect and delivered so well by Paul Giamatti that I was floored by what I was seeing.
The scene was simple, between Giamatti and Virginia Madsen, who were having an intimate conversation about wine. At one point, she asks him why he loves Pinot, and it starts off as such a simple response before it turns into a metaphor for the character Miles, who Giamatti plays. He talks about how the Pinot is a red wine grape that struggles for survival, and unlike the Merlot, he appreciates everything that grape goes through as it can only survive in specific climates and areas but manages to succeed and produce a wonderful tasting wine as a result of its survival. The lines that Giamatti delivers in this scene were so powerful and so poignant that I found myself amazed that this practically appeared from nowhere yet seemed so perfect for the moment that served as its introduction.
When the movie was finished, it made me wish that so many other movies would even attempt a smidgen of the brilliance that existed within this script, but then I realized that so many other movies would shove themselves out of Hollywood’s doors and we’d have to wait for something as wonderful as the writing of that movie again.