Monthly Archives: July 2017

ASMR: One of the strangest phenomenons to hit Youtube

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So, a couple of months ago, I was having trouble falling asleep at night, so after a bunch of frustrated attempts to sleep, I did what any 21st century geek would do: I turned on my computer and Googled something that had to do with sleep. And that was how I came across a video of a woman on Youtube who whispered and made unique sounds while trying to help the viewer fall to sleep. That was also the first time I had heard the term “ASMR”.

ASMR, or lesser known as “autonomous sensory meridian response” is a really niche segment of the Youtube population that caters specifically to people filming videos of themselves talking to the camera while making various sounds that are supposed to activate “tingles” in audience members. So, this could be anything from scratching a piece of paper to extremely elaborate presentations of mixing jugs of water back and forth. Sometimes, the purpose is to help someone sleep or relax, and other times it’s just to evoke some kind of response from the person watching the video. And those responses can be all sorts of different types.

After a bit of time of crawling down this rabbit hole of ASMR, a couple of things start to become apparent.

  1. The people involved in this phenomenon are like most Youtube channel owners. They want subscribers, which causes them to have to do more and more things that differentiate them from other people doing the same sorts of things. In the beginning, I was following a couple of the artists who were doing very generic, sleep type of videos, but then I started to notice as their time line stretched into the present, they were doing more and more elaborate types of presentations. Rather than just speak to the audience, I started to see role play presentations where the artist would pretend to be a doctor, a nurse, a police woman, a vampire, or pretty much anything else you might imagine. The ASMR activity would remain similar, but the antics would become much more involved in the script than the results the artist was originally trying to achieve.
  2. The subscriber aspect of the system favors women more than men demonstrably. While I did observe a few men who were doing regular ASMR videos, the majority of the material coming out on Youtube was strictly women. Young women. And very attractive women. Which then led me to start to observe that more and more of the highly successful ASMR artists tended to have a very interesting history, where their videos began as generic, fun videos and then slowly became much more sexualized, somewhat PG-rated. It practically opened up a separate category of ASMR, which I began to call “Kidnap ASMR” where a woman would roleplay that she has “captured” the viewer and was now doing ASMR stuff to him/her. This type of thing ranged from crazy girlfriends kidnapping someone she was in love with to female police officers “arresting” someone and interrogating the person for “ASMR activity.” Some became quite innovative, like artist “Innocent Whispers” who orchestrated a series of videos where she pretended to be an officer of the FBI, “Federal Bureau of the Internet” and she was investigating individuals who were brought to her so that she can ascertain their level of ASMR response. To this day, I’m still trying to figure out if her purpose in the roleplay was to “catch” people for their ASMR interests or to do research for her somewhat weird federal agency.
  3. There seems to be no end to the types of sensory responses that ASMR artists are capable of exploring. When I first started watching these videos, the type of “noise” the artists would focus on was usually some type of tapping (fingers on surfaces, devices on other devices and on the microphones themselves), and then as those videos became somewhat generic all sorts of alternative sound-generating possibilities were explored. One recent video focused on fire, as one woman continued lighting matches over and over again so that the listener/viewer experienced both the visual aspect of the fire and with an extremely expensive microphone also experienced the auditory sound of the fire erupting each and every time the match was struck.
  4. Whispering is a huge segment of this activity as well. Very rarely does the artist raise her voice above light speaking. Most of the time, whispering is how the artist communicates with the listener. My experience so far has caused me to believe that the whispering creates a much more personal experience between the speaker and the listener.
  5. Most often, the atmosphere is one of positive energy. Quite a few ASMR artists tend to focus on trying to make the listener feel better in some way, whether the reaction be a state of hypnosis, better ability to sleep, feeling good through positive affirmations or any other positive type reaction. I’ve seen a few specific ASMR videos that are designed to be the complete opposite (such as “negative affirmations” where a woman basically insulted the listener nonstop) but those are rarities and seem to be more fetish-based than a part of the overall scheme that ASMR tends to represent. Quite a few ASMR videos are designed around the concept of making the listener feel better.
  6. There can often be a lot of humor incorporated into ASMR. What probably leads to a lot of the hits that ASMR artists receive (and the large numbers of followers/subscribers) has to do with the personality of the artists themselves. Humor is often one of the strongest points of the better known ASMR artists. Humor becomes a huge part of the bantering of the artist as she communicates with her following. However, I have noticed that when humor is the intent of the actual video, it tends to not do as well, which suggests that incorporating humor is good, but focusing on it doesn’t yield the same positive results.
  7. ASMR is not limited to Americans, or even English speakers. One phenomenon I’ve noticed is that quite a few artists are from variously diverse places across the planet. Some of the better known ones are Eastern European, Korean and Japanese. However, quite a few of the ASMR videos tend to be in the English language, and if an artist does not strictly do English language videos, there will be a few here and there as the artist starts to become better known. However, as a lot of ASMR can be conducted without any words whatsoever (tapping, inaudible whispering, etc.), a number of non-English speaking ASMR artists can strive and do well with non-specific language videos.
  8. The microphones themselves are quite unique. Before studying this are of Youtube, I thought I knew something about microphones. But I was wrong. I knew nothing, Jon Snow. What they use in a lot of ASMR videos is this type of microphone I have here as a picture. It is almost like a person that the artist is speaking to (including ears). Quite a few artists play with the “ears” and it can sometimes be a bit weird (well, to me). However, the microphones are extremely expensive and are set up to handle stereo recordings, which means that when the artist moves to the left side of the screen, if you’re listening with headphones, you are going to hear her voice come out of the left speaker, so that it can actually feel like the person is walking around you as she is two dimensional on the screen. This microphone in the picture is about $600. I’ve seen some of the microphones (including one that’s a representation of a person’s head) run for close to ten thousand dollars. Obviously, some of these artists are extremely invested in this activity.

So, this has been my adventure so far in studying ASMR. I got into it once because I was having trouble sleeping, and then the communication scholar in me started to see this as an untapped area of exploration that I believe more people should be aware is happening around them. The phenomenon is relativity new (still pretty much in its infancy in comparison to other phenomena), but I suspect its continued evolution might lead to all sorts of interesting perspectives and insights.

So, after Spock went back in time, is the Next Generation time line gone?

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This has been bothering me for some time now. Yes, I understand that the United States is going through a horrible time with a game show host as president, Russian election-hacking and the dilemma of which side to choose in the upcoming war between Taylor Swift and Katy Perry. But this has actually been taking a bit more of my attention than those other inconsequential dilemmas.

Here’s the scenario that sets up the problem. Ambassador Spock in the reboot of Star Trek went back in time to chase a Reman mining vessel that was planning to kill Kirk and mess up the time line. The bad guy managed to kill Kirk’s dad, threw the whole universe into a spin time-wise, and now we have a new set of adventures for the Kirk crew, and the future as we know it may not actually happen as intended. Which produces the question: Is all of the history that came after the original Star Trek now gone? Or is it not gone but the stories are quite possibly going to be told a different way?

If so, that means that the future iterations of the Enterprise might change. Khitomer might not have happened as it was supposed to. Kirk might not have died on a planet fighting alongside Picard, even though he was supposed to be already dead and now living in a time ribbon (as if that makes any sense). Is Picard now flying a cargo ship across the galaxy with his crew of Firefly rejects? I mean, I guess anything can happen.

But I’m torn. All of those adventures that come from TNG and Deep Space 9 might no longer be canon. All those adventures might be gone.

And what about when they decided to do a later series of Star Trek? Will it be post-Picard, or will that universe change completely? And even more important: Does the old universe of the future still exist? Or is Data gone to be replaced by Data 2.0? Inquiring minds gotta know.

Why the Idea of Celebrities on Twitter Drives Me Nuts (and why it should do it to you, too)

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For those who don’t know it, I have a Twitter presence (@duanegundrum). It’s not extremely popular, and I’m lucky if I get a “like” here or there. Mostly, it’s me ranting or making jokes, and no one in the world knowing the difference. As a writer, I have about 5,000 followers. I follow about 500 people. Not great, but not bad either.

At the same time, someone like Kim Kardassian has 54 million followers. She only follows 104 people. Compare that to the most popular writer in the world, Stephen King, who has 3.48 million followers (and follows 63 people). If you go through the lists of really famous people, they tend to have millions of followers and really don’t follow anyone else. In case you haven’t figured it out, they use Twitter as a megaphone, not a tool to communicate with their followers.

When Twitter came about, the idea was that it would be a great place for celebrities to communicate with their fans. But instead of actually “communicate”, they pontificate and there’s little communication that takes place. To make sense of that, you have to understand what communication means to begin with.

Communication, as explained by professors today, involves information exchange between at least two entities. But what’s important about that model is that it’s not just one side speaking to a listener. It’s an exchange of information, so that the receiver then becomes the transmitter and the process continues until the channel is finally closed. In other words, a telephone is used for communicating; a television is not.

When I got involved in Twitter in the early days, I had about 25 followers. They were mainly friends of mine. Over the years, fans and acquaintances joined those numbers, and now I have about 5k, which is a larger number than most people who aren’t straight out celebrities. But part of the “drug” of social media is the desire to constantly improve those numbers so that more people are listening to you or (in my case) having a conversation with you.

There are few people on Twitter I’ve come across who are actual convervationalists. They write stuff, and they respond to stuff. Generally, they have a lot of people who they follow. Others tend to have fewer people they follow but they respond quite often to people who respond to them (which is actually a pretty healthy conversation). George Takei (of Star Trek fame) is one I’d consider in this category (@GeorgeTakei, 2.44 million followers and follows 643 people).

This has often left me wondering how to break into this category of actually making my voice heard. And then I reached a crappy conclusion as an event occurred that I didn’t even realize was happening to me.

I often respond to celebrity posts that are of interest to me, specifically anything that is communication-related, political, or involves writing topics. One pretty famous celebrity (known for his role as one of the current crop of superheroes) posted something about media, and I responded with a Twitter message, basically pointing out how certain messages are put forth by media outlets by using specific phrases, like “some people say”, which is a common vernacular of “Fox News”, brought up often by Jon Stewart of the Daily Show during his years heading that show. The celebrity responded with something like “that’s like what they do on Fox News”, as if it was a new insight. That response received no small number of “likes” from his fan base.

So, since then, I’ve been receiving nonstop “like” notifications of his response while not a single one of them has actually come across from my actual post, meaning that the likes weren’t for the idea but for the fact that someone famous repeated it after me. It’s like the old infamous adage in the science community of how a great idea is irrelevant; communicating it, however, is what’s more important.

So, for all of you out there trying to get your voices heard, this is somewhat of a sobering thought. You can have the greatest ideas and insights that have ever existed, but if you don’t have a megaphone to let anyone know, your idea will never be heard. McLuhan’s idea of “the medium is the message” couldn’t be more significant than today because it may be the only way you will ever be heard. And with all of the noise of Kardassians and reality star driven, your chance of being heard is only going to get that much harder.

 

Hate crimes that seem to sneak in under the radar

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We all know there are some hateful people out there. We see the evidence in the news each and every day. What often escapes us is the fact that a lot of this stuff is happening around us, or in places we’d least expect it.

Take Thunder Bay, Ontario for an example.

You may wonder why I’m discussing Thunder Bay, as I suppose quite a few of you are probably wondering where is Thunder Bay, as in you probably have either never heard of it, or you just never gave it much thought. For me, however, when I saw a recent article, all sorts of memories came to mind. My family (on my mother’s side) is from Thunder Bay.

Every other summer or so when I was a kid, what little there was of my family used to drive from California to Thunder Bay, Ontario. Each time we took the trip, my mom would point out that it used to be called Port Arthur, and that she was born there after her father moved to Canada from Poland after the war. And then during one summer, she and two of her friends took a road trip across the United States and settled in different locations (her best friend in St. Cloud, Minnesota, her other friend in Florida, and she in Santa Monica, California…where I was born).

When we used to take this trip, one of the things that used to fascinate me was the local lore, and specifically the tale of “the Sleeping Giant”, which was the story of a giant Native American who fell asleep on a mountain until one day he would be woken up to aid his people again. It’s a natural rock formation that looks like a sleeping giant, and I remember being able to see it from most areas of Thunder Bay.

Anyway, so years later, I’m reading an article and discover that Thunder Bay is back in the headlines. Except, this time, it’s because some racist moron threw a trailer hitch at a Native American woman walking down the street. What the article doesn’t tell you is that the woman eventually succumbed to her wounds and died. The local Native Americans refer to the crime as a “hate crime” but in all that I’ve read, law enforcement is treating it as a general crime that was originally being treated as an aggravated assault, and now that she died, are “considering” changing the charges. There’s a certain amount of dismissing of the crime in the rhetoric, and one can’t help but wonder if it’s because it was “one of them” that died, rather than “one of us” as so often happens in these types of circumstances.

Which brings me to ask the question: What must be going through someone’s mind that thinks this type of behavior in the first place was either acceptable, or that it was something that might be fun to do? I remember when I was young, and I heard that some of the older kids were going to be “heading into town to do some gay bashing”, and never gave much thought (back then, at least) to what that probably meant. Those young people back then thought that was a completely acceptable thing to do, just as much as this guy driving around in the passenger seat of his car thought it was a pretty appropriate thing to do to just throw a trailer hitch out of a car window and laugh when he said “got one!”.

What no one really talks about is that our communities brought these people up to feel that this sort of thing was okay. We defend ourselves by saying that we would never do such a thing, but then we’re shocked when someone who lives next door to us is charged with doing just that.

At what point are the rest of us also responsible? I ask because I really don’t know the answer to that, and I suspect that we’ll never find out because it’s never being discussed, and I doubt it ever will.