Tag Archives: independent film

The Struggle of the Independent Film Creator

Small Change Movie 

I have a friend of mine who makes movies. They’re independent films, but at the same time they’re very well done and obviously put together by someone who understands how to make movies. The interesting thing is that he’s relatively unknown, and the chances are pretty good that he will be completely unknown for the rest of his career. But not because he’s not any good. It’s because independent movie makers generally have about zero percent chance of making it these days.

He’s currently in the process of completing his latest film, which he made for about $15,000. Now, if you didn’t make movies, you might think that’s a lot of money. I mean, it’s more money than I have to spend. I mean, let’s face it: With my expenses for online porn, I really don’t have a lot of money to spend on anything else. Oh wait, did I say that out loud?

Anyway, he’s made a few movies before that didn’t do very well because there’s a certain amount of stigma that comes with being an independent film producer. Those of us who watch movies are very critical, and for some reason, we want high-quality, big budget productions, even when the movies being made aren’t big budget productions that can afford to have such high-quality. Yet, we expect it, so if a movie doesn’t blow $15 Million on its budget, we’re probably not going to watch it.

Which means, fewer and fewer independent films get made. Which also means we get more and more crappy remakes because Hollywood has never really been all that innovative when it closes off the spigot of new visions, which often can’t afford such budgets.

Think about one of the biggest independent successes in our time: Clerks. It was made on a shoestring budget that was essentially paid for on the director’s credit card. Granted, he made it back in huge returns, but most independent movie directors don’t succeed that way. Generally, they go into serious debt, pawn the car and then live the rest of their lives in dire destitution.

The old way of breaking into the industry was to do a shoestring budget film and then have it shown at one of the independent film festivals. Well, if you notice the current crop of movies that show up at these independent film festivals, you might be interested to know that the definition of “independent” is becoming very skewed lately. Nowadays, big stars figure on breaking out of their connections to the big studios, so they fund huge independent films, and THAT is what shows up at these festivals. The low budget guy has been forced out by the big names with deep pockets that make movies often with venture capital funding.

Our ability to see new ideas is slowly being turned off so that the future is going to be nothing but Explosion Man VII types of presentations.

My friend is currently trying to do all of the work that big budget films have hundreds of people doing the work. It’s kind of amazing to see how he goes through such stress just to try to get his movie into its first movie theater.

Is it a perfect movie? Probably not. I mean, what film ever is. But it’s probably going to be something different than what you normally get to see. And it’s completely independent, and unfortunately it’s part of an endangered species that we could easily support by actively looking for independent features and supporting them. But we won’t because we’re finicky movie watchers, wanting stuff that’s only perfect and highly produced with lots of Hollywood money. And that’s why we’ll lose in the end. It’s like appreciating a mom and pop store, but never going there, always shopping at the local Wal Mart and talking about how we have to do something to save the local mom and pop stores. Sadly, so many people do exactly that.

So, here’s your chance. I guarantee that somewhere in your community someone is trying to get an independent movie seen. Support that person or lose that creativity forever. I mean, it really is your choice, and in a day where we don’t even get to choose who we get to vote for, you have to grab onto those little opportunities while you can. Or you lose them. But remember, it was your choice.

(the image is of the poster for Small Change, the independent movie that was the impetus of this article)

Independent Productions and How They May Be the Survival of the Future

Over the years, there has been a tendency to avoid the big budget productions of numerous fields and focus on independent producers. This has helped us find some really innovative creators out there in numerous areas, including film, writing, software development and music. But part of the problem has always been twofold: First, an independent producer has very little money to draw upon, limiting the outcome of the product being produced, and second, because the production has little marketability due to a lack of a budget to handle that, almost no one knows the production is happening in the first place.

But several little productions have managed to go big time regardless of the obstacles placed in their way. Although we know that the big studios make the big bucks, every now and then a little guy creates something so good with almost no budget that that person becomes one of the big guys almost overnight. We saw that with Kevin Smith and Clerks. With music, it’s happening every day with overnight sensations showing up and overwhelming the studio produced big names. What’s so cool about it is that it happens so fast that the big guys can’t do anything about it, and it’s always nice when the underdog wins big time.

But this isn’t about underdogs becoming big. There’s enough of that in every Slumdog Millionaire story out there. What I do want to talk abut is how we’ve sort of forgotten that a lot of these big studios that control everything really were nobodies a short time ago, yet because they managed to rise to the top, they want to control pretty much everything else in their realm of creativity. Let’s talk about a few of them.

Apple and Microsoft. Go back twenty years, and they were both essentially operations created in someone’s garage. While they may or may not have made their mark stealing technology from other people, discounting that as significant, what is important to point out is that they are now the big boys on the block, and they are doing everything physically possible to control the marketshare when it comes to their corners of the software and hardware universes. Think about it for a moment. These guys started from nothing and are huge colossus behemoths now. Why can’t someone else come along and replace them? Well, aside from patent control by these entities, there’s really nothing stopping anyone else from rising up just as well.

The big book companies appear to have been around forever, but they haven’t been. They rose up not that long ago, and they’ve been trying to control the market ever since. Amazon is probably the biggest book seller in the world right now, and it came along after Apple and Microsoft, and is competing against them. I still remember Amazon’s first ads where they tried to play like they were this really, really big bookstore and were looking to lease space to hold all of their books. It was a cute joke, but they have become nothing but massive since those days. But why can’t someone else show up and do it again?

Game software development is probably the one area I know the most about because I was in this business from the beginning, and surprisingly a second generation is now on the scene that doesn’t remember how things actually took place. In the 1980s, software developers were creating games on floppy disks, copying them, and then selling them in little plastic sandwich bags. I’m not kidding. That’s how the gaming software industry was created. Some of the largest companies of today were doing that sort of thing, including Electronic Arts and a whole group of others that have risen and fallen (and quite a few have been bought by EA). But what’s interesting is that as more and more of these software behemoths keep announcing that PC gaming is dead. what I don’t think they realize is that as they do more and more to piss off their customers (which they are doing a lot of these days), the more likely they are going to make it that people are going to go back to the beginning and start creating their own games and distributing them much like we used to do before (although probably through easier online distribution). Look at Zynga. This is a company that came out of nowhere, and now is one of the big boys.

The point of this post is that I don’t think the big guys realize how vulnerable they still are, even as they try to completely control the market they currently dominate. A friend of mine recently made a full length movie for about $20,000. I was watching a special on independent movies, and some small studio guy said that it was impossible to make a movie for less than a few million these days. Even the guy who made the $20,000 movie keeps saying almost the same thing. But people are doing it. And I think that’s what’s going to completely change the industry because what we’re seeing is a lot of studio people who don’t know anything different. They’ve been taught that you have to have millions to make a movie, or it can’t be done. But then someone comes along and makes one for thousands, and everyone just shakes their heads and says, “wow, never saw that happening.” That’s what happens with revolutionary change. No one ever sees it happening.

And I suspect that this is going to be happening a lot more soon. Book companies are about to be hit big time by e-readers, and innovative people with little money are going to see a way to get rid of the producer middlemen and make the industries brand new again. But no one will see it coming because they’ll be so focused on RIAA lawsuits and maintaining control over their little fiefdoms, that they’ll never realize how insignificant they’ve become.

So keep your eyes open, or start producing independently, because it’s going to happen. Unfortunately, everyone is so tied into the current paradigm that they’ll never believe it until they’ve become completely replaced and discarded.