Daily Archives: March 2, 2011

The Act of Writing a Screenplay

I’ve been thinking about writing screenplays for awhile now. So, I saved up all of the money in my piggy bank and bought myself a copy of Final Draft Version 8, a screenwriting software program. Well, it was kind of difficult to figure out how to make sense of it, but I’ve been playing around with it for a few weeks now, and this evening I decided to actually start work on a screenplay.

Well, kind of. I actually realized I needed to figure out how to write a screenplay before I actually start writing a new story. In other words, had to get past the how to before I got to the doing it stage. So, what I did was go back to one of my stories already completed and then work backwards. You see, some years back, I wrote a couple of movies in “fake” screenplay form and then choreographed a movie, which I then put together in The Movies software. I did a whole bunch of them. But I decided to go back to my favorite one and then rewrite the story from a screenplay perspective, rather than the seat of the pants version I did before.

And I’m discovering that writing a screenplay is a whole different animal to type of writing I normally do. But it’s a whole lot of fun. It’s a completely different process of writing that you never really figure on until you sit down and actually try to do it.

The story I’m working on is called Buried Memories, a romantic movie that is more my typical style of writing (meaning it’s not the usual kind of story you’re going to find anywhere else). As I’m taking some liberties with Buried Memories 2.0, it’s going to be a bit different and a lot more robust than the original version. Either way, it’s something new for me to play around with, and after I finish with this project, I’ll probably start writing a screenplay from scratch.

Anyway, if you’re interested in the movie that was originally done for this story, I’m going to try to embed it into this post for you to experience.

Buried Memories

Is it Possible for a Freelance Writer to Make it Today?

This is one of those questions that has been going through my head lately. I’m one of those enigmas of writers who has written a lot of stuff, yet never really managed to break into a writing career. At one point, I had a good start, and then I just stopped, giving up writing, before realizing what a mistake I made. And then I realized I wanted it back more than anything. But I did it at the strangest time, when the Internet was just coming around, and suddenly the old way of doing things was no longer the way things were done. Now, I’m an overwritten writer who has pretty much nothing of a writing career, realizing that I’m probably never going to have one.

So, like most struggling writers, I tried to do the whole e-book thing, and I’m averaging about $25 every three months of sales. Not exactly the illustrious career to get one away from one’s normal day job. And when one has all desires to be a full-time writer, that gets extremely frustrating.

So I find myself wondering if there’s really a future for an unpublished writer who doesn’t just get lucky or happen to be in the right writing school at the right time. Again, being lucky.

I put my book of poetry on Amazon, and it’s done absolutely no sales. I’m not a salesperson, so I really don’t have the ability to figure out what one has to do to interest anyone in buying one’s writing. So the only other option is to just release all of my writing for free, which then still leaves me with the realization that that probably doesn’t make a difference either. People are less willing to read your stuff for free than they are if they actually went to buy it. Sadly, that’s kind of true. They find it has less value if you tried to give it away, so even if it was Hemingway trying to get bullfighters to read his latest book, it wouldn’t make a difference because the stigma is already there because of the whole free thing.

Which leaves me with the wonder if I should just give it all up. My career is going nowhere, and I honestly don’t anticipate it going anywhere in the near future. The only reason I haven’t given it up already is because I really don’t have anything else in the wings to replace it. My job isn’t going to make me happy. Watching TV isn’t going to give me any satisfaction in life. I don’t date and probably couldn’t recognize a woman if I ever saw one (as it’s been so long). Which leaves me with something I’ve been talking about for some time now. Nothing. Writing was pretty much it. And without it, I’m not sure I really have a reason for sticking around anymore. I mean, what’s the point?

My Thoughts on Memoirs and Autobiographies

We live in an age where we seem to get a lot of autobiographical tripe paraded before us as legitimate prose and original content. Recently, previous political leaders have released their “true” stories of their administrative actions, including Decision Points by George W. Bush and Known and Unknown by Donald Rumsfeld. I’m not going to link them because I really don’t feel like hyping their work for sale because I think they can do quite well on their own as they try to force their manufactured truths onto the public through the usual channels.

My problem with just these two works is that the reviews of these have pointed out quite admirably how the truth is extremely distorted in these works. The nation, and the world, knew what happened because we recently lived through these events, yet we have two spin doctors doing everything possible to rewrite the history of those times because they still believe in the axiom that the winner gets to rewrite the history. What both books do, and I watched an incredulously sounding interview on the Daily Show with Rumsfeld the other day that was just filled with attempts at reinventing history, is attempt to clean up a very dirty period in American history by pretending that certain things didn’t happen and others did. Both make a weak attempt to pretend that weapons of mass distruction weren’t sold to us as a given in the lead up to war with Iraq. Both books also attempt to pretend that the administration didn’t do everything possible to sell a war, even though so many other rational voices were urging for more time. The Iraq weapons inspectors were begging for more time, and the Bush Administration did everything possible to discredit their voices during this period. Colin Powell, in the greatest travesty of UN history, stood before the world and powerpointed the most falsified series of documents about WMDs the world has ever seen. To this day, that event gets glossed over, or ignored as much as possible, because there’s no way to get around the fact that the administration straight out lied about the lead up to war with Iraq. And that’s really the elephant in the room there that no amount of rewriting of history is ever going to change. Rumsfeld, himself, went way out of his way to cast Saddam Hussein as the best friend of Al Qaeda, and even his attempts at trying to rewrite the narrative on the Daily Show the other night did not change my opinion that this man is amongst the greatest disgraces to the American people of all time. Sorry, you don’t get to rewrite your history when everything you did was wrong, you lied consistently and you haven’t even acknowledged the wrongs you did in your past, especially when those wrongs led to thousands of deaths of young American soldiers.

Which then brings me to the whole memoir thing that seems to be coming out of the woodwork these days. It’s bad enough that we get tomes written by people who spend 200 and some pages lying through their ass because to tell the truth would be career and political suicide. There’s another kind of memoir that has been driving me nuts lately, and that’s the one that comes out from someone who has done nothing of greatness or significance, who somehow manages to get a million dollar contract to tell his or her life story.

First off, I have to point out that if someone is under 25, the chances of that person having a great life story that needs a book is quite minimal. Sure, you might be Alexander the Great, and have conquerered the entire known world by 30, but even he would have needed to wait a few years before writing his great autobiography, if he ever got around to doing it. But I’m sorry, Justin Bieber, who is only 17, or anyone of many celebrities who have done nothing but shake their asses in front of an audience for a few years, really don’t have all that much to share with the rest of us. I mean, honestly, how much more can Justin Bieber, at 17, tell us about his life on the road that is any more intriguing than a book by Robert Plant or perhaps Life by Keith Richards. I mean, at least these people “lived” an actual rock star life that might have a bit of content to them. Granted, I have no desire to read a book of this nature, but at least I know that which ones would actually have something interesting to tell me.

Recently, there have been tons and tons of crappy books being signed by publishing companies for autobiographies of unimportant people who haven’t been alive longer than the lifespan of my car. I’ve had this belief for a long time that a memoir should never be written by anyone who is not at least 35, and definitely not by someone who hasn’t at least done something so significant that rest of the world would stop and take notice. Someone who has spent an entire life in the movies might have a story to tell. Someone who is 13 and nominated for an Oscar because she played a spunky kid in some movie does not. A rock star who has had multiple divorces, four or five near death experiences, and quite possibly is known for ushering in the second age of rock ‘n’ roll might have a story. A Disney mousketeer who is now singing for teenyboppers probably doesn’t.

Which then brings me to the unimportant people writing important memoirs for the rest of us. Unfortunately, not all of us can be Jack London, living a bunch of different lives before finally settling down and giving us literature to ponder over for centuries. That means instead we get a lot of life stories from people who broke their cocaine habit, lived through therapy, had a really cool dog with a funny name, or just outright manufactured their history because it was the only way to get Oprah to let them appear on her show. Very few of those stories are important enough for us to really want to buy their books.

But even when someone does manage to have an important enough story for the rest of us to read, that person needs to realize he or she might not be the next Hemingway and should really stop at that one story. Dave Pelzer is a good example of this. I’m not sure if you’ve read his ground-breaking book, A Child Called “It”, which is his story of living with a seriously deranged and abusive mother. It’s a great book and really pulls at the heartstrings. Unfortunately, Pelzer felt he was onto something and has never stopped writing books about his life. The first one was great. The rest of them tired, old and overdone. At some point, you need to move on and show us that you learned something from your journey, not that the only thing you learned was it was very profitable and worthy of returning to the well over and over again.

One of the greatest memoirs I’ve ever read comes from probably the only man to ever do a memoir the right way. It was so much the right way that he spent his entire life trying to figure out how exactly to write it, and then spent his final years doing just that. I’m talking about the Autobiography of Mark Twain, which the author demanded not be released until 100 years after his death. And having just read through it, or at least the first volume of three that’s been so far released, I can say that he definitely knew what he was doing with an autobiography. I’ve learned so much about his time and the important figures around his life in so little space. Few memoirs are capable of ever transcending the page like that.

Unfortunately, we rarely get a Mark Twain to tell his story as only a Samuel Clemens can. Instead, we get lying politicians and self-important teenagers with a million dollar book contract. If only the middle ground was so much brighter.