Tag Archives: Television

Boss: A Show Designed to Make You Hate Politics

I’ve recently been watching the first season of the television show Boss, which stars Kelsey Grammer, the guy who used to play Frasier. The show is one of those paid television episodic soap operas that involves Grammer as a guy named Tom Kane, who happens to be the mayor of Chicago. As you would expect, a show about Chicago’s inner government is going to be one about the Democratic Party’s control of the city, and as might also be expected, it’s also about the serious corruption of Chicago itself.

Now, I could go on a huge bent about politics and how I suspect the show might actually be written by Republicans who hate Chicago and Chicago-style politics, but I’m suspecting that’s not the case. But rather that it’s designed by people who just hate politics and love to throw mud all over the place and laugh at how well it sticks to everything.

A quick run down of the premise: Tom Kane is dying of some degenerative disease, so he has to keep it a secret from practically everyone. At the same time, as the Mayor of Chicago, he’s probably the most corrupt individual to run a city since, well, honestly I don’t know someone as corrupt as this guy in the whole of history. Caligula comes to mind, but even Caligula seems like a nice guy compared to Tom Kane. As we quickly find out, Kane screws over his closest allies, his enemies, his wife, his daughter, a nurse caring for his father in law, union members, the city of Chicago, cities near Chicago, his own senior adviser, his own senior propagandist, and…well, you probably get the idea that there’s not a person Kane wouldn’t screw over if you gave him enough time.

In a show like this, you’re bound to find some characters to care about to juxtapose against the evil Tom Kane, but honestly, there’s not a single one. His department head is probably the closest to someone you’d like or respect, but at the same time this guy has no problem hiring people to beat up other people, or just kill them. And this is literally one of the good guys. Kane’s female assistant (I guess she’s a deputy mayor, although I suspect “sex object” is part of her job description as well) is a beautiful blond woman who has zero problem sleeping with Kane’s new project, a guy running for governor under Kane’s umbrella. I guess we’re supposed to feel some compassion for her as she screws the governor candidate over and over again, even though the guy is married and screwing pretty much anything that moves. I guess she’s the jilted woman on the show?

Speaking of the blond woman and the governor candidate: Look, I’m not a prude or anything. I like a good sex scene here and there, but my god, this show has so much sex going on that at one point I felt I had to pause the playback and seek out a priest to confess. And I’m not even religious. Look, I understand the girl is attractive and foolishly chose “will appear nude” in her contract, but my god, I’ve seen her have sex more times in one season than I honestly think I’ve had my entire life. And I had a good run. I almost fear whenever the two actors end up in the same room together because panties are going to slide off, his shirt’s going to go flying off, and we’ll have porn for the next five minutes.

Anyway, as I was saying, I couldn’t find myself caring about a single character on the show. They’re all a bunch of scumbags that I’d vote out of office the first moment I got a chance. And that’s every politician on the show. It doesn’t matter if they’re with Kane or against him. There’s not a single one that doesn’t look like he or she came from the same crappy cloth as Kane did. They’re all on the take, taking what’s on the take, or just evil, bad people.

You might say it gives a watcher the sense that anyone in politics is a crappy person and not worth respecting.

Part of me wants to say I dislike the show, but it’s got that certain quality that comes to people who are transfixed by an out of control train wreck. You can’t stop watching, even though you’re convinced you’re completely wasting your time and energy.

So, I finished the first season and am apprehensive about season two. There’s only so much corruption and sex I can take in an hour.

The Final Season of Chuck (Season 5)

The final season of Chuck released a few weeks ago, and I picked it up on Blu Ray when it did. I finally managed to watch through it, as this was one of my favorite shows when it first aired. The last few seasons of it I kind of missed, mainly because it was difficult to figure out when it was on, and then other things took over as more important, so it took me some time to get to it.

In case you aren’t aware, Chuck is a one-hour long show that involves a friendly, yet nerdy, computer repair professional who works for the Nerd Herd crew of the local Buy More store (definitely patterned after the Geek Squad of the Best Buy stores). In the first episode of the series, an old friend of his from Stanford (where Chuck dropped out) mails him an activation virus that ends up installing the CIA’s entire database into Chuck’s brain, thus turning him into somewhat of  a walking super computer. Thus, the CIA sends a crack team to watch over Chuck, which becomes Sarah Walker (the hot blonde played by Yvonne Strahovski) and Colonel John Casey (played by Firefly’s Adam Baldwin). Sarah becomes his handler, and as you can probably suspect would happen, she ends up falling in love with the nerdy Chuck. As the series goes forward, the “intersect”, the device placed in his brain, becomes even more complicated so that it ends up giving him special skills he can draw upon at will, like the ability to learn Kung Fu instantly, and all sorts of other fun stuff.

Anyway, lots of intrigue, and four seasons later, the last season was the finale of the adventure as Chuck and Sarah continue their adventures and see if they can somehow find some kind of life together post-CIA.

The problem with the show is that the wonderful writing that is filled with comedic fun has gotten really stale over the years, and as the season began, I started to suspect that they definitely needed to end this thing. The first half of the season was atrociously bad in both writing and ideas. And then, almost as if they realized it, it kicked into second gear for the second half of the season and actually became quite enjoyable. At one point, it actually became unpredictable, which after the first couple of episodes, I was beginning to think we had a show that had seriously overjumped the shark.

In all, the 5th season was worth it, and let’s just say that there are a couple of episodes that were comedy gold, including one that included Bo Derek playing none other than, well, Bo Derek. At some point, the show became a meta-comedy, where it started even poking fun at itself, and when it hit those moments, it was brilliant. The whole episde with Bo Derek was genius level of comedy for the show, and for the first time in a long time, I found myself seriously laughing out loud.

Shortly after, the season ended, and the journey of Chuck was over. In all, it was a decent journey.

The Strange Allure of Jennifer Love Hewitt

Secretly, I always imagine she's posing for me....

A few years ago, I was teaching English in South Korea. Unfortunately, during this time, I had very limited access to American television shows. Sure, I could pirate them, but I’m not the kind of person who does that, so I was limited by whatever I could purchase from Seoul entertainment stores. And the selection was awful. However, one thing I kept seeing each and every time I went to the store was the dvd collections for Jennifer Love Hewitt’s Ghost Whisperer. Now, I had never seen the show before, so it didn’t really interest me, but I am a science fiction fanatic, so I kept looking at that package every time I went there. Finally, one day the first season was on sale (this is when they were still making the show, around Season 3). So, I figured it wouldn’t be the worst investment ever, and I bought the first season.

Having lots of free time, I diligently watched through the season, and then I was somewhat hooked, so I bought Season 2. And then I kept going until I came home from Korea and continued watching it until it went off the air.

Now, I should probably make a bit of a disclosure for those who have never watched Ghost Whisperer. It’s a quirky show. It’s not going to get any Emmys (at least I don’t think it did during its run). It’s a show about a woman who can talk to the dead, but basically it’s really a show about the woman with a really strange, charmed life, who just so happens to also talk to the dead. Now, I make this distinction because that distinction is necessary. This woman has the most Barbie-like existence in the history of television. She interacts with people in a way that really seems only important to the character played by Jennifer Love Hewitt, and whenever there’s an important conflict, the only real thought the writers and directors were probably thinking was: “How can we make this come out right while still making Jennifer Love Hewitt look really hot and cute?”

Because that’s what is special about the show. It shows 4 or 5 seasons of the cutest girl on television interacting with everyone else who may or not yet realize she’s the cutest girl on television. There are ghosts, of course, but they really only serve as scenery and distractions, to make you forget that the show is really about the cutest girl on television. And she’ll pout every now and then, which believe it or not, makes her seem even cuter.

What’s fascinating about the show is that it deals with some really heady issues that sometimes go into jump the shark territory of television, like the Buffy-like moments where Jennifer Love Hewitt comes head to head against the evil old guy of evil who seems to want to make all the dead people stay undead instead of go to the happy place that Jennifer Love Hewitt uses her cuteness to send them to. And during that confrontation, instead of just offing her with a big anvil, like any other diabolical evil guy would do, he ends up talking to her, seeing her pout, and then kind of turns into a wishy washy evil genius who then disappears for awhile until rating seasons comes back again.

Essentially, you get the main attributes of Ghost Whisperer. The cute girl wins out all the time.

But I didn’t come to talk about that show itself, but about Jennifer Love Hewitt. You see, during that show, even though (spoiler alert!) her husband dies during the show and comes back as some other guy who dies during the show but is allowed to live as her ex-husband reincarnated until they can find a way to just start using the old actor again (because everyone forgot it was another guy whose body he took over), the whole show manages to be about the angst of the cutest girl on television.

When the show ended, I felt a part of me died, too, because then I realized my cute girl factor of television would be missing input. And then I found out that she had a brand new show, called The Client List. Which surprisingly is about her being a massage therapist who gives happy endings to her customers. You’d think this show would be somewhat gritty, but it’s not. Instead, it ends up being about (surprise) a cute girl who just so happens to be a massage therapist who gives happy endings to her customers. And man, they really push the cuteness factor in this show.

I watched the first episode of the show and found myself laughing out loud because, first, it’s preposterous and, second, it’s equally ridiculous. Her husband left her the day she started a new job at a massage parlour, and instead of moving to cheaper housing, she decides she’s going to keep her kids in the same two parent housing they’ve had by giving handjobs to her customers. Well, I think that’s what she’s doing, as they don’t actually go into detail about what happens after she rubs down the bodies of the male models who serve as her clients. And yes, I did say male models because once she starts giving the “expensive” rub downs, her clientele goes from being ugly old men to being supermodel male models who you’d expect to pop up in a Madonna video. Not exactly sure why these guys would ever need a masseuse like her and in this particular out of the way place, but apparently Hollywood didn’t think the audience really needed realism here.

So, we get to see her pout when things don’t go right, and we get to see her come to work in all sorts of sexy get-ups that you’d expect a female escort to be wearing, if she worked for a high-fashion call girl outfit. But instead, she works for a massage place (that’s next door to a Karate studio) and does the $5000 an hour call girl dressing regardless.

What’s interesting is that they never felt the need to actually point out what she’s doing for this serious bank she’s getting from this job. She’s either giving handjobs (and getting far more money than ANY handjob masseuse EVER got) or she’s having sex with them at the massage parlour, which seems kind of strange as they haven’t made the show out to be “that” kind of show YET.

But in all, what I think really happened was they found another way to bring Jennifer Love Hewitt back to living rooms to exploit that cuteness factor of hers. What’s even funnier is that the hype for the show centered around Hewitt’s interviews where she talks about how it might be about time for her to find a boyfriend, and all I can think to myself is that no man lives in that fantasy world that she has constructed for herself, in which guys are all supermodel guys and all love listening to her and doing things that practically no human is capable of pulling off in a relationship. Her world is constructed just so that Jennifer Love Hewitt fits into it, kind of like that little girl fantasy world of dolls and stuffed animals that someone eventually has to grow out of (or become a real princess in some fantasy land probably located in Eastern Europe somewhere).

In all, I want to thank Jennifer Love Hewitt for letting me explore her world with her again for at least one more hour a week. I mean, it’s not a real world, and the people are never as scripted as they are on this show, but hey, that’s what makes it so much more enjoyable.

Reality Disclosure: The Victoria Secret Fashion Show is Really Just a Televised Episode of Nearly Naked Women Trying to Sell Us Underwear

Attractive woman selling you stuff
Attractive woman selling you stuff

I read a lot of news. So, it came to me as a bit of a surprise that CNN has been doing nothing but trying to explain how “important” their story about the Victoria’s Secret Fashion Show is.  After “reading” through their article and numerous other articles that have attempted to “write” about this story, almost always with a HUGE picture of very attractive supermodels, I get the picture. There was a fashion show put out by Victoria’s Secret, a store that sells ladies lingerie to women who want to look attractive to their partners after things have already moved to the point where they really don’t have to do anything to make the mood get to the next point. I mean, honestly, if I’m in a situation where a woman is now in her underwear, chances are pretty good she doesn’t have to convince me that I should be moving to, well, for lack of better terms, the next “base”. If I read things wrong at that time, then something’s seriously wrong with me, with her, or with the human species and academic mating rituals.

But let’s break down what’s really going on with this “fashion” show. It’s a bunch of very attractive women, walking around in their under garments, trying to get people to think this would be a really good purchase in the future. That’s really it. They’re not developing a better solar panel to collect energy. They’re not helping us figure out which presidential candidate is going to lie to us more than the other. They’re not even helping us find a potential mate. They’re walking around in their underwear being gawked at by guys across the country.

Cause let’s face it. This show might be watched by women thinking, “that outfit looks nice and maybe if I buy it, I might look like that multimillion dollar an hour supermodel” but it’s mostly being watched by guys who are thinking, “man, I really should have majored in something other than sociology in college cause a girl like that is never going to talk to me and my sorry ass bank account.” And, of course, there’s a huge segment of guys who are probably watching that show alone, in the dark. If you’re one of those guys, you might have even set up your own drive in cinema screen hire to make it a more immersive experience.

But great television it’s not. It’s like watching the Miss America Pageant and saying you watch it because you support programs that provide college scholarships to enterprising young women. No one buys that. No one even buys it when the pageant tries to pretend that’s why the pageant exists. It’s a vehicle to sell stuff in the way we always sell it. With sex.

So, I’m glad the show was the number one watched show in the country, just as much as I’m glad that Twilight is the number one movie, and every top seller on the New York Times bestseller list is a young adult book because Americans have become too stupid to read books for adults.

But that doesn’t mean I’m really happy about it. So leave me alone as I turn off the lights and watch the second half of this underwear advertisement show I taped so I could watch it alone. Check back with me in about a half hour. We’ll talk about literature then.

The Second Season of V Disproves My Theory That V Couldn’t Get Any Worse

I discovered the other day that the television show V actually came out with a second season. Somehow, I missed it when it aired, but as I had seen the first season and was really interested in seeing how it played out in the second season, I went out and bought the season of DVDs. You see, I should probably explain that my fascination with V is not because I think it’s a great show, but because I watched the first season and kept saying to myself: “How can a show have such great acting talent, an obviously decent budget and still manage to suck so badly?” I mean, the star of the show is one of the main characters from the GREAT television series LOST. And then there are people in the show that come from some of the greatest that science fiction has ever offered. There was a guy from Firefly (the pilot on the show), the star of Earth: Final Conflict (a strange show that is oddly A LOT like V’s premise of an alien race showing up, promising great things but having a hidden agenda), an actress who was one of the recurring characters on The Office, the secondary female star being also from Firefly and Stargate SG1 (she played the prostitute on Firefly and the Ori human leader in Stargate SG1), the hot girl who played Supergirl on Smallville, and so many other actors that I was constantly saying, “hey, I recognize that guy/woman!” Yet, with all of that talent, they still managed to produce one of the most ho hum shows I’d ever seen.

So, I thought that the second season really couldn’t get much worse. Well, I was wrong. What started out as a “oh no, the aliens are really evil but only one FBI agent knows about it” has now turned into a show where I find myself going, “who cares?” almost every time a big event occurs in an episode. The aliens are diabolical, yet the rag tag team of rebels is at some times brilliant (beyond belief), the greatest Spetznaz operatives the world has ever known, completely stupid and clueless, overly obvious to the point of where I keep thinking, Okay, we have the stupidest aliens in history because they can’t figure out that the guys working against them are always present whenever things go bad, and filled with so many dorky coincidences that I’m sometimes embarrassed to be watching.

Spoiler alert: The end of this season got even worse than I ever imagined it would be. The aliens became so powerful, and so evil that it actually hit a point where I thought, wow, there’s no way the humans are going to win this one. Everyone is paranoid, and the good guys are losing their way and their battles, and I thought, okay, wow, this is going to finally start getting really good to where the main characters are really going to have to doing some serious crap to win this battle. And THEN: a secret organization of military organizations made up of every nation in the world comes to the rescue of the main hero, telling her that she’s no longer alone in her battle, that this organization of super army has been tracking the evil aliens, JUST IN CASE they might be evil, and now they’re ready to work with her, because they now realize she’s actually on their side.

Really? That’s the October surprise you have for your viewers? When things get really bad, SHIELD is going to appear out of nowhere and help the Avengers now that they’ve lost all of their powers, even though we never hinted SHIELD existed in the first place? How about a superduper weapon that they’ve been building in the Antarctic wastes, just in case something like this should ever happen? Or perhaps a Death Star? Or should we just find a hot shot pilot who has never flown a battle before to fly a sortie against the alien horde and shoot his blaster at a two meter hole that will somehow blow up all of the alien ships together? I mean, we’re doing stupid crap. Why not?

Anyway, I’m looking forward to Season 3, so we can see what “great” entertainment they have to offer next time around. I’m hoping the hero finds an alien motorcycle and jumps over the alien space shark that is threatening humanity.

The Struggles of Science Fiction on Modern Day Television

I was watching another one of those obscure BBC television shows this last weekend called Outcasts. It’s a science fiction 8 part series that takes place in the future when a series of catastrophic events force colonists from Earth to take up residence on some far-away planet. Immediately, they run into political problems amongst the survivors, and then they start to discover really odd things, like the possibility that humans may have colonized this planet a long time ago (which makes absolutely no sense to anyone). It’s an interesting story arc, and as I was watching it, I immediately started thinking, “I’ll bet they didn’t renew this show, which means I’m probably watching the first season of yet another science fiction television show that didn’t make it past its freshman year.” And it turns out, I was right. The first season ends on a cliffhanger, and the viewers are left hanging yet again.

Maybe it’s me, but why don’t television networks understand that science fiction takes time to grab ahold of its audience? I don’t think there’s a science fiction show out there that didn’t take a number of seasons of trodding through really difficult character building before it finally got the to meat of its show. Look at the recent success of Battlestar Galactica. It started off a bit stale, and then it built into a brilliant final couple of seasons. Look at practically every Star Trek that came out after the original series. The Next Generation took a few seasons to catch on, people constantly comparing Picard to Kirk before realizing they weren’t the same person, but different, and that wasn’t so bad a thing. Deep Space Nine took about three or four seasons to kick off before it became possibly the most beloved of all of the Star Trek universe offerings. Voyager, well, I argue it was a lot better four seasons in and to the end, although there are some who can’t stand it at all, but it still made that same arc I’m talking about. And Enterprise was a pretty decent last season show that took a lot of “hey, we’re exploring space for the first time” episodes to get to its point.

I look at some of the greatest science fiction around, and it took a long time to get around to being great. The 4400 was a great show once you finally got beyond the beginning parts of what it was trying to do. The X-Files took some time to find its footing, as well as Fringe took about two seasons to finally reveal that it wasn’t a rip-off of the X-Files, but great science fiction all on its own. It’s still going strong.

The thing is: Science fiction takes time to tell its story. It’s not like a cop show where you throw a bunch of people into a scene after a murder, have the star do his quirky mannerisms and then jump to a chase scene/shoot out, and then cue the last insider joke before going to commercial. Some of these shows are dealing with some pretty heavy subjects, and it takes time to get an audience to buy into the characters, and sometimes even the universe we’re talking about. Stargate was an interesting piece of science fiction in that it started off strong, and then became even stronger once it played out its initial arc and had to reinvent exactly what it was doing to come to a whole new kind of show. Stargate Atlantis did practically the same thing, once its writers realized they weren’t just recreating Stargate SG1, but had a brand new animal on their hands. Stargate Universe could have evolved into something great as it was starting to get better in the second season, but like most executive decisions it never had enough time to build its audience and appeal to do what it needed to do. It was cut off way too early to finish its growth.

Outcasts is an interesting example for me because I’ve been reading the message boards concerning this show since it was shut down after its first season. People are really upset because a show they really started to get into was cut off way too early to allow itself a chance to breathe. And I don’t blame them. For all of the crappy shows that are out there, it is rare to find a show that really tries to take chances and pushes itself as it does it. It was fascinating that they were doing what they were doing with the cast they had, considering I don’t think I’ve ever really seen any of the actors before, aside from a cameo in the very first episode by Jamie Bamber, better known for playing Captain Apollo on the remake of Battlestar Galactica (I kept looking at him, thinking, “is that who I think it is?”).

Sadly, one of the few places where science fiction is welcome doesn’t seem to have a lot of science fiction anymore. I’m talking about the SyFy Channel, which used to be the SciFi Channel. Nowadays, the channel is known more for WWF wresting and ridiculous movies of the week about killer land sharks and other nutso ideas. They have a bad habit of killing any strong science fiction shows, including the cancellation of Caprica, Stargate Universe and the recent announcement of the discontinuation of Eureka. Checking through the TV Guide, I don’t find too many original programs showing up on the SyFy Channel any longer, which means my original necessity of always making sure my cable company had that channel is no longer a given.

Part of the problem of this dilemma is probably necessary to address as well, and that’s the fact that because science fiction involves special effects and unique, alien environments, the budgets for these shows can sometimes be astronomical. During the Star Trek run on UPN, there was some serious money being invested per episode to keep the quality up on that show, and every other show was trying to do the same sort of thing. Nowadays, a network isn’t really all that interested in paying that kind of money for entertainment, especially when they can get even higher ratings from crappy reality tv programming that costs a fraction of money to produce.

The other part of the problem is the perception people have for science fiction as well. For some reason, science fiction is seen as “geek” culture, which can often lead to a group of adults shunning someone who watches science fiction, while they may be gluttons of reality television and Gossip Girl-like programming instead, somehow seeing these alternatives as more “acceptable”. Science fiction gets equated with the kind of entertainment that should be enjoyed by little boys and men who never grew up.

But quite often, science fiction practically masters the concepts of the human condition by forcing us to look at social and societal issues that cannot be explored within the confines of our normal, everyday lives. Science fiction can put someone back into the shoes of someone who had to make decisions during the Trials of Nuremburg, or force a discussion on the ramifications of the ethics of genocide that are not just theories but might be happening at a particular time and place. It can allow questions of the nuances of same sex relationships by changing the species as the focus, yet still unravel a group of people on the cusp of making a life-changing decision. While it’s not impossible to do that in other genres, rarely is it done there, which leaves science fiction one of the few places where such ideas and thinkers can completely be at ease with each other.

Unfortunately, I just finished watching a great show that will never see another episode or any of its brilliant ideas examined further by the writers who presented the dilemmas in the first place. Until then, we have to search for another venue, and hopes that someone else manages to fill the void that doesn’t often get filled by those with the vision to ignite the ideas in the mind’s canvas of possibilities.

Monopolies, Greed and Treating Your Customers Like Crap

This morning, I was about to leave my apartment building to head to work when I noticed an 8 1/2 by 11 piece of paper taped to the exit door for everyone to read. It was a message from the apartment complex managers, indicating that anyone who was currently using the video services of U-Verse by AT&T must discontinue using it immediately because they are in violation of the apartment’s “contract” with some cable service called Suite Solutions. Not being a user of U-verse, I didn’t give it much concern, but then it had me thinking. What if I was a user of U-Verse and decided to get my television programming that way? What if I decided I didn’t like Suite Solutions (which I don’t) and chose to get my television programming through my phone line? What right does some housing complex or some cable operator have to choose how you get your television programming?

For the longest time, I’ve been receiving flyers in the mail from AT&T, promoting U-Verse as the answer to bad cable companies, and I just ignored the stuff because, to be honest, I don’t think television is all that worth subscribing to in the first place. While some people remained glued to their television screens every night they get home, I don’t think I’ve turned mine on to television programming in over 8 or 9 months, so to be honest, I’m not even sure I even have a television signal these days. And honestly, I don’t really care.

But what started to bother me was this anti-business message that was being pushed on potential customers by the people who manage the place where I live. It’s one thing if Suite Solutions was a good company, but let me tell you about my experience with that company. When I first moved into my apartment over two years ago, I chose that company to get my television and Internet service. At one point, I remember counting on a calendar to see whether or not it my service was down more often than it was actually up. I paid for the highest speed service, and when it worked, my download speeds were atrociously slow. I remember beating a download with my cell phone once (which ironically never actually succeeded with Suite Solutions because the Internet crashed during the download and didn’t come back up for another three days).

This was the company that my housing complex thinks that I should be emboldened to because they signed a contract with them somewhere in the past. Now, I don’t mind this being an option, but if they eliminate all of my other options, so that Suite Solutions is my ONLY choice, I think we have a horrible problem that really needs to be solved by the SEC, the FCC or maybe Elmo and the other characters of Sesame Street (they are notorious for advocating for consumer rights in the fantasies I have about Elmo and the gang).

Of course, no story about monopolies should be complete without a little bit of irony. I mean, we are talking about some unknown cable company using its monopoly to cut out the little guy, specifically a little guy named AT&T, who happens to be going through a little bit of monopoly trouble of its own these days. Now that the government has stepped in and told AT&T that it is creating an unfair monopoly by trying to buy T-Mobile, does anyone see the ridiculousness of some small cable provider shutting out AT&T through its contracted monopolies? I’m sure there are some people who are thinking this is a good thing because they just hate AT&T, but when AT&T becomes your alternative source to a crappy choice, something’s seriously wrong with this picture. I mean, I’m not exactly the poster child, greatest fan of all things AT&T. Just last week, AT&T refused to transfer my Internet service (not U-Verse) to my new apartment because of some flag that showed up with an old bill for $189 that HAD BEEN paid over two years ago; unfortunately, because it was so long ago, they couldn’t find a record of the situation, nor could they offer any way of alleviating the problem because the situation occurred too far back in the past to be solved by any simple transaction (like me just giving them $189 to make the problem go away). That’s the kind of problem you get from a monopolistic company that is so big that it can’t handle its own financial problems that emerge from its own lack of correct record keeping (you can always spot this problem when some customer service person tells you: “There’s nothing I can do about it. The problem seems to be coming from another area of the company that doesn’t exist anymore.”).

So, I ask, are monopolies good or bad for consumers? So far, my experience with them has been nothing but negative. You constantly hear economic pundits talking about how monopolies are good and how they drive innovation (or some other big proclaimed statement that has no basis in reality), but how do they really help us? Okay, there is one area, and that’s price, in that a company with a monopoly has the ability to lower the prices by handling all of the means of production and distribution, but how many times has that monopoly also gone the other direction, to where the only source of a product decides to raise its price because it realizes that no one else can fulfill the need? We’re kind of seeing that right now with Netflix, that erroneously thought that it was a solitary producer of content services so that it could pretty much do whatever it wanted to do by raising prices and splitting its company into two so it could eventually raise prices at its own leisure (possibly by raising it twice as much, as both companies can now raise prices as the same time, and thus, increase profits twice as fast). But what really happened was that Netflix realized too late that its customers WERE its product, not just the users of their product, and without customers, they have no income. I expect to see Netflix become the next Myspace in an era of Facebook.

For me, I have no real solution other than to boycott all of the products of companies that are hostile towards customers, which is why I gave up on Suite Solutions shortly after feeling like I was being cheated month after month. Fortunately, I am not a consumer of U-Verse, so I don’t have to worry about this proclamation from the emperor, but at the same time it also keeps me from ever wanting to do business with Suite Solutions again because instead of trying to compete with AT&T by providing a great customer experience and a good product, they decided to go the punitive route instead.

That companies never realize this strategy is a blueprint for failure is a footprint that forever haunts me. There’s a reason that message was tacked on our door like Luther’s 95 Theses. The company is failing to attract and keep customers, so it needed to crack down on anyone who decided to use alternative choices. Unfortunately, that strategy rarely brings in new customers or business. Instead, it leads you closer and closer to becoming obsolete. That this is 2011 and a company still doesn’t understand that is ridiculous. But why innovate when you can demand business? Need I say more?

Saving Private Netflix…and dealing with cheating whores

In the movie Saving Private Ryan, there’s a scene where Tom Hanks, playing the special ops captain who has just risked life and lost really good men, tells a young Private Ryan that he’d better do something great with his life, like invent a new brand of toothpaste or something, something to have made the sacrifices of his men worthwhile. And the young private, now grown up, asks his wife if she felt he contributed something important to the world, and she tells him he has. And all I was left thinking was, that captain played by Tom Hanks wanted something a bit more, not just that Private Ryan would make some family happy, and to be honest, I never really felt that Private Ryan lived up to the expectations that Tom Hanks’s dying character really demanded.

I’m kind of left with that same feeling when I received an email from Netflix yesterday informing me that it was going to be raising my rates 60 percent to give me exactly what I have always been receiving. In other words, rather than raise my rates AND give me a little more value, they’re giving me exactly what they always give me, and charging me more for it. Not very impressive.

And that action has caused all sorts of backlash from the community that makes up the customer base of Netflix. You see, they tried to do this a long time ago, and it failed miserably. Some years ago, they tried to raise rates BIG TIME, and most of their customers revolted. I did, too. Instead of quitting Netflix, I decided to switch from three DVDs at a time to 1 DVD at a time. The result was that I ended up paying less than what they were receiving from me before the change. A month or so later, Netflix completely reversed course, lowered their rates back to the original amount, and then people started to come back; I personally went back to my 3 DVDs a month.

Recently, they quietly raised prices on us. Not a huge amount, but enough to be noticeable. I thought about leaving but then just decided it wasn’t a big enough increase to cause me to leave. Kind of like the frog in a warm pot who doesn’t jump out even as the water slowly begins to boil. The slow burn and the slow increase of heat remains comfortable until you cook to death and die.

Well, this change is much different. They’ve decided that they want to be a mainly streaming company now, which is not what they were designed to be in the first place. There’s a whole lot of literature in Economics 101 about how a company shouldn’t change what it does best or to try to do more products than it is known for, but Netflix has always felt that it could buck the trend and win the brass ring no matter what it did. Rather than just increase rates, they’ve decided to charge people for both streaming AND DVDs, where they used to be lumped together in the past. I think they believe that people will respond by dropping one or the other, but I don’t think they realize the real implication, and that’s that they’re about to lose customers forever. I’m not talking about people getting pissed and changing their options until Netflix backs down. I mean people leaving in droves and being so pissed at Netflix that no turnaround will cause them to come back.

That’s where I am right now. I’m in the middle of watching Rescue Me through streaming, and when that show finishes its run (in other words, I get through the last season), I’m ending my Netflix subscription forever. I haven’t really watched any DVDs in a long time, having held onto the same ones for a long time, so that’s not a big deal. And I’ve never been all that much of a fan of their streaming service as most of the choices have been crap, and when I have watched something, half of the time the connection is not good enough to where I’m constantly watching a smooth experience. The continuous buffering thing gets old, and I won’t miss that.

What Netflix doesn’t seem to get is that they are not part of a necessity for most people. Television and movies is a luxury, and to be honest, I really won’t miss it all that much. Yeah, I could go find alternatives to seeing the same programming, but most of it has generally been crap. Every now and then a good show comes on that I’ll watch through its run, but quite often almost everything I watch has been a waste of time. Movies are almost always a waste of time because Hollywood has been making nothing but crap for years now, and for the five movies I’ve enjoyed, I’ve probably watched a hundred I didn’t. The odds just don’t make it worth it.

For the longest time, I’ve stayed with Netflix more out of nostalgia than anything else. It was convenient and comfortable. That’s it. It hasn’t been that useful. Years ago, when there were lots of things in my queue, it was wonderful. But years later, I’ve gone through my queue, and where I used to have blockbusters in it before, I have mostly second rate choices that were put in there and constantly pushed to the bottom of my queue so I could watch stuff that seemed more interesting. With that to look forward to, Netflix doesn’t offer a whole lot of wonderful things for the future.

So I’ll be dumping them like a girlfriend who has been cheating on me for years, and I’ve just been too busy at work to sit down and explain to her that we need to see other people. Well, the rhetorical job just told me to take my vacation, and I’m realizing I now have to spend a week with the cheating girlfriend, and the girl next door has been giving me the eye. Okay, it’s a bad analogy, and unfortunately all it does is remind me that I don’t actually have a girlfriend, and even worse, a social life. But at least I won’t have Netflix either. I’m dumping that cheating whore.

The Killing–a television show that almost gets it right

I watched the first season of The Killing, and for a show that started off so well, I can’t help but wonder what went wrong. It started off as a Twin Peak-ish kind of show where a young girl is murdered (the girl who shows up in so many television shows these days, from Heroes as Claire’s twisted roommate to Californication as the underage girl who seduces David Duchovny and then steals his manuscript, publishing it as her own), and the detectives spend the first season trying to figure out who did it. But as so many others have already pointed out, the biggest problem with this show was that they created two characters for the detectives who have to be the most incompetent investigators in the history of detective work. There were so many times where I sat, thinking, “really? That’s the direction you’re going to take in this investigation?” It was like they hired a bunch of office workers who have never seen the inside of a police department, other than one on TV, and then gave them detective badges, letting them loose on the streets of Seattle. And then because that wasn’t good enough, they had to hire an entire city of incompetent police officers to follow their lead, doing even worse so that the two really bad detectives might actually appear to look good.

What’s sad is that I saw the ending of this first season coming from a mile away. Granted, I didn’t peg it until the final episode, but that’s not really my fault. The writers were making this shit up as they went along, so that there would have been no way to figure out the whodunit because even the writers had no clue.

For most of the story, they focused on an obvious actor as the main suspect. He’s the guy who played the antagonistic leader in the television show the 4400. He’s a great actor, and he pulls off all of the nuances really well. But because the writers generally didn’t know where they were going, his ability to go all across the map acting-wise only made the show that much more frustrating to watch.

The problem with the writing is the inconsistency. An example was the last episode where the former drug addict police officer “figures out” that the mayoral candidate (the 4400 guy) has a thing for brunettes, showing a newspaper article where the picture has all of the man’s previous affairs, and they’re all brunettes. It’s pointed out that he is compensating for the loss of his wife, who also looked just like these women. What no one has pointed out, including the stupid police detectives, is that the mayoral candidate’s main squeeze right now is a beautiful blonde. So his “usual” type is not the usual type he has been having an affair with the entire series. It’s that kind of inconsistency that stems from convenient writing that is badly orchestrated. It’s why the show has suffered so much.

There was one episdode that was so obviously filler right towards the end. The detectives are investigating a possible connection to a casino, and then out of the blue the female detective’s son comes up missing, so they spend the entire episode looking for her son. No further investigation. Just looking for the kid. And bonding. And doing all sorts of dramatic element stuff that should have been conducted much earlier in the series, not in one of the last episodes. And then at the very end of the episode, they throw in a “oh here’s some information about the case in case you forgot there was an actual murder investigation going on”.

The sad thing is I think I’ve figured out who is responsible for the murder. The girlfriend of the mayoral candidate has so easily betrayed him to the point where it feels like she’s probably killed the original girl in jealousy (thinking he was having an affair with her, which he probably was). I wouldn’t be surprised to find out in a strange episode involving a dancing dwarf in a red motel that his current girlfriend used to be a brunette in an earlier period of her life who had an affair with him as the brunette but because she changed her hair, he doesn’t recognize her as the same person, and this is how she is getting her vengeance.

Sadly enough, I don’t think I’m that far off when it comes down to crunch time and the writers don’t have any more of a clue than they did the week before.

Taxation Gurus Just Don’t Seem to Get It

CNN Money ran an article today from Jeanne Sahadi advocating the need to raise taxes “because the looming debt problem is just too big”. Her argument goes on to say that Republicans are misthinking the whole issue because as long as the debt remains large, the country can never go forward.

Well, my response is twofold. First, we need to stop putting taxation into a partisan framework. That never solves anything but makes the issues so tied to other agendas that there’s no way to have a rational conversation about the issue in the first place. By making it partisan, any response of negativity to Sahadi immediately gets lumped into a “he’s a Republican, and therefore he is only limited to Republican talking points.” Whenever the conversation moves to the next level of analysis, the responder can immediately throw it, “oh yeah, but Republicans also believe (fill in the blank, and you realize why no rational debate is then possible).”

Second, and this is really my more important point, at what point did government become so important that it became the elephant we SEE in the room rather than the one hiding in the background? In other words, why is government always the most important factor for the debate? Why isn’t the individual considered more important?

Think about it this way. If we go back to the original foundation theories of government and agree that people came together in a Hobbesian fashion to escape from our evil surroundings, we understand that we then gave up a little bit of our freedom to achieve security. Now, no matter whether you buy Hobbes, Locke or Rousseau, at no point did we ever really give up the original reason for getting together, meaning that we got together because it was mutually beneficial to us, NOT because we were all desiring to create a government. At no point did the foundation of government ever supercede our reason for creating government. In other words, those who create a government are always more important than the government itself, not the other way around. Yet, in every one of these arguments, especially the one put forth by Sahadi, government is the reason we do the things we do, so that we are required to sacrifice at the altar of government, instead of the other way around.

I pay taxes. I’m not rich, but because I am low middle class, I pay money into taxes that really makes an impact on my daily life. The majority of people who pay taxes are like me, lower middle class people who don’t make a lot of money. Any increase in taxes to us hurts big time, yet we’re rarely ever represented in these conversations about taxation and government. Instead, the Republicans represent the interests of the very rich, and the Democrats represent government attempting to fund more money for governmental programs. In a fair world, we’d have another party that actually represented a social class of common people, but we don’t have that in this country. Oh, both sides claim to be that representative, but they never are. They represent their own interests and those interests are never ours.

What it comes down to for the majority of us is a question of how much we value government. I, personally, don’t value government all that much. I see it as a mechanism to keep gangs and drug dealers from killing me on a daily basis. And to be honest, government doesn’t even do that very well. Serious amounts of money are spent on a drug war that fuels this continuous battle between mean streets and the common person, and the common person is rarely seen as the one to which government answers. An example: A few years ago, I was beaten and robbed by gang members who targeted me because of my color. Instead of a serious response to the victim, which you would expect in a case like this, or at least might see on television played by actors who don’t represent real police officers, I ended up in a bizarre situation where two police agencies argued IN FRONT OF ME over which one was responsible for taking the report. Neither one of them wanted the responsibility. Of course, after all was said and done, the culprits were never caught, and I suspect they were never even pursued. Over the next few weeks, before I finally moved across the country to get away from the cesspool that is Hayward, California, I read the blotter reports in the newspapers about how the same individuals were continuing to target citizens in the EXACT SAME AREA EVERY DAY, and even escalating to public buses, convenient stores and train stations. In other words, government didn’t care one bit whatsoever.

Yet, when it comes to taxation, Sahadi believes that if government is starting to fail financially, it is within our requirements to respond immediately and fix it. Sorry, I don’t buy it. Right now, we spend so much money on things that have very little to do with the average American who does pay taxes. Let’s go over a bit of that list.

Wars in Afghanistan, Libya and Iraq: Who benefits from this? Me? I don’t think so. Did I care about freedom in Iraq to begin with? No, not really. I’ve never had contact with anyone from Iraq before. Nor have I had contact with anyone from Afghanistan or Libya. Sure, I buy gas, and some of that comes from some of those places, but if we weren’t fighting a war in these places, we’d still be buying gas from these places regardless. I don’t even suspect it would cost that much more because prices are controlled by OPEC, not tin foil hat dictators.

That pretty much translates to our entire military budget. Yes, it is responsible for protecting America from foreign enemies, but honestly, we’re not actually doing that with our military. We are located in countries that are not ours, fighting for issues that have nothing to do with freedom in the United States. And in order to conduct these wars, we have had presidents (the last two specifically) advocating to suppress our freedoms, which means we’re fighting to lessen our freedoms, which is ironic in its own cynical way. If we were defending America specifically, I’d be happy, but we’re not. We’re pushing agendas of people who are not the lower middle class. And we’re backing up those issues by sending young lower middle class soldiers into wars to support people who rarely serve in the military themselves.

Most governmental agencies that the common person desires are usually handled by the states. My education is handled by the states. The federal government does nothing but institute standards that no one ever achieves. Our federal government has no idea how to educate the youth of America, yet they feel worthy of forcing their standards on the states regardless. I don’t see the value in this. Sure, I can see the value of making sure we don’t teach creationism in school, but nowadays, federal government isn’t even doing that; it’s doing the exact opposite and then fighting with itself over those specific, political standards. Not necessary and not helpful.

Heath care seems like it’s important, but when you threw it into politics, it starts to get useless. Tylor Cowen, in his excellent article, The Great Stagnation, points out that even though the United States spends more money than most countries on health care, we have some of the lowest levels of life-expectancy and our health success rates are dismal at best in comparison to nations that actually spend less of their GDP of health care. Like most governmental issues, we do horrible with our money because we keep believing in American exceptionalism, when we don’t realize that exceptionalism doesn’t always mean better. Part of our problem is that we have a lot of money already in the mix that should be spent better, not a need for more money to be spent on doing the wrong things more often. That last sentence is probably the most significant of this essay but will echo with no one.

In the end, it will come down to partisan drivel politics again where we have people who have a stake in winning an argument over issues that should never be decided by partisan politics. But we don’t seem to care because we’ve gone way beyond caring about what’s important and care more about winning arguments that don’t benefit us even when we do.

As a taxpayer who pays what he believes to be enough taxes, I don’t subscribe to the theory that more money is necessary to fix the problems of bad spending. Unfortunately, the people we have in government are not the best people when it comes to spending wisely; they never have been. Instead, we have the people who are best at convincing people to vote for them because they’re good at making people feel better about themselves, especially when we live in a country of people who should be a lot more critical of their own shortcomings. We’re educating ourselves horribly, we’re grossly overweight, and we let ourselves be ruled by foolish passions over issues that require serious contemplation. But this will fall on deaf ears because we’re a nation of people who likes to hear that we’re great, and when that person comes along who strokes our ego, we’ll vote for him, and we’ll wonder why no one ever does anything about fixing our country. We certainly won’t get the answers from anyone who is paid to tell us what we already keep hearing, but then we’d stop paying them if they didn’t. We’re pretty good at creating vicious circles in this country. Another thing we’re good at, eh?