Honestly, I never thought the day would come, and to be even more honest, it’s probably not the right time either. But my job hit a point where I realized I couldn’t keep working it any longer. So, on December 24th, the day before Christmas, I will be unemployed.
The job market is horrid these days, which means I don’t suspect I’m going to be finding anything else soon. I’ve got a few irons in the fire I’ve been trying to grab, but my belief is that they’re not going to work out, so I’m pretty sure that in a month from now, I’m going to be facing a new day without any means of survival behind me.
So, I’ve started thinking that perhaps this is the time to finally make a go at being a writer. I’ve been struggling at it for several decades now, and I know enough about the craft to know that my stuff is good. I just now need to figure out how to get readers to actually want to read what I have to write. Part of me has felt my whole life is a Van Gogh perspective, in that I really feel that I have monumental works, yet suspect that no one will ever discover me until long after I have left the planet.
My latest project is The Teddy Bear Conspiracy, which I’m finishing up for an early December release. Then I work on my triple play saga, The Tales of Reagul, a fantasy/science fiction epic based on the world of my book Destiny. I’m hoping to have the first of the series, A Season of Kings, out in early January and then follow up with the other two immediately after. I’ve never done a series before, so that should be interesting.
The next project I’m working on is a follow up to Thompson’s Bounty: A Ship Out of Time, which is a return to the time travel epic for the Coast Guard crew, except this time they’ll be traveling back to Roman times. The title is still kind of up in the air, although I’ll probably go with another “Thompson’s (something)”. I’ve had a lot of people asking for further adventures in this universe, so I decided after some years that perhaps there’s a lot of fun to be had there yet.
Two other projects are on the horizon as well. The first is a rewrite of a novel I wrote some years ago, called 72 Hours in August, which is an espionage, action thriller involving an Armageddon project that emerges during the 1991 August Coup in the Soviet Union, and it introduces my new character who goes by the code name of the Unicorn, because everyone who sees him is rarely believed. He was an idea of mine decades ago when I was working as a counterintelligence agent. He’s what I refer to as an economic hit man, a man who goes into countries and disrupts their economies on the orders of an illusive corporation that benefits.
The other project I’ll be completing is the first set of books in my Deck Const series. The Deck Const is a dystopian science fiction novel where a surviving soldier emerges from one of the last wars on a quest to find a rumored object, the Deck Const, which has been spoken of only in whispers, but may hold the key to rebuilding a very fractured world. The first set of novels takes place in California (from San Francisco to Los Angeles and then to Las Vegas) where communities have become fun house versions of their former selves as the soldier starts to build his army which will one day have to confront the dark one (the other person seeking the Deck Const). Anyway, it’s a huge epic that I’ve planned out, and I’m finishing off the first three novels, of which the series will be continuous sets of three books.
Either way, wish me luck, or wave to me as I pass you on the street with my shopping cart.
My novel, The Teddy Bear Conspiracy, which is going to be released in December, is available for free as a contest giveaway on Goodreads. To enter, go here.
Destiny, my science fiction/fantasy novel, which takes place mostly on the planet Reagul (which might be recognized from the upcoming series The Tales of Reagul, which will be released early next year as a three part epic), has been given a new cover and blurb. Here’s the blurb:
The mission was well-planned and intricately carried out. They were going to assassinate the Emperor of Earth. Everything went according to plan. Except one thing.
They failed.
Now on the run from the Empire’s elite guard, Eden System Commander Yeager finds himself on an escape trajectory with a young ensign in his care. Little does he know that this ensign, Laura Bontein, is the reason why Eden is at war with the Empire.
Laura may also be the most powerful being in the galaxy.
They escape to Reagul, a planet in its middle ages and somehow responsible for keeping the emperor alive. Here, Laura begins to discover that Reagul has been planning for her arrival for thousands of years.
Little by little, Laura begins to suspect that her own people, the lost outpost of the Zeus Colonies, may have ties to Reagul going back to the Roman Empire. As the rumors and legends begin to mirror the actions of Laura and Yeager, she begins to believe her arrival on Reagul may have more than a solitary purpose.
It may be her destiny.
Destiny can be found on Amazon (and also in paperback): Here.
I was just reading that Taylor Swift appears to be in a relationship with one of the Kennedy kids. Last week, I think she was dating one of the Schwarzeneger kids. The week before that John Mayer was complaining about how her song about him (“Dear John”) wasn’t really fair. According to the media, practically all of Taylor Swift’s songs appear to be about ex-boyfriends who dumped her, or were dumped by her.
Therefore, I am now convinced that it is about time that Taylor Swift think about writing a song about me. On the surface, her relationships don’t last very long, so for all jokes and giggles, we can say she and I have already run the course of our tumultuous relationship, and I’ll even accept that she dumped me. I mean, she’s Taylor Swift, and I’m just Duane Gundrum. So, I’m okay with that.
Now, it’s time for the inevitable song about our whirlwind relationship and eventual break up. Which leaves me wondering what great poetry she’d use to explain what went wrong with our romance. I’m thinking (just for some ideas to help her muse build upon):
You always leave the seat up
Never clean the bath tub
And always watch reruns of Star Trek.
Woooooooah!
Or something like that. Whatever she goes with, it will be a big hit and then I’ll finally have served my purpose in life.
"I read all of Duane Gundrum's books because he's so dreamy...."
In case you aren’t aware of it, there is a war taking place. I’m not talking about Libya, Afghanistan or Iraq. I’m talking about the war that is currently waging over the publication of books. What war? You say. Well, let me explain.
For years, in order to get published, you sent out your work to a publisher (or an agent in hopes of getting a publisher), and if you were very lucky, you might get a bit of an advance. Sometimes, those advances were for decent money. Around the 1970s and on, they started getting really small. Kind of dismal, actually. Unless you were already a famous author, like Stephen King. So, you would get about $5,000-$10,000, and then the publisher would take 18 months or so to create your book. Then it would get released. If it started to sell, great. You would receive about $1.67 for a $20 book for each sale, the publisher keeping pretty much everything else. After all, they were the publisher. That $1.67 would continue to knock down the amount of the advance you received until you actually started to make what are called royalties, which would be additional money the book made after you paid off the advance. Most books tended to not even make back the advance, so you were generally lucky enough if you made somewhat of a decent advance.
Well, recently, the publishing industry has kind of been turned on its side. E-books are becoming the new “in” thing, and strangely enough, publishers are still maintaining their dominance in the industry, because they are still the power brokers they used to be. In other words, in order to gain any attention whatsoever, you really needed the publisher to get the attention out that you had published a book. So, not surprisingly, publishers have been publishing e-books, too, and still taking that outrageous amount off the top, leaving writers with very little profit, even though the costs for publishers have diminished to almost nothing.
Something new has started to happen, which is turning the whole industry on its side now. Writers are going directly to the readers and selling their books without the publishers. And needless to say, this is causing a bit of a stir in the whole industry. Publishers need the writers to survive, and so they are doing everything possible to diminish the positive experience for writers, so that publishers still remain the power brokers that they have always been. Unfortunately for them, that model isn’t going to last that much longer.
The publishing industry is a lot like the music industry, and its current dynamic is going through a revolution much like the music industry has recently gone through as well. While there are still seriously powerful music leaders in the industry still calling shots, a lot of artists have gone directly to the Internet with their work, and are bypassing the profit model previously established by the RIAA and other such top-down industry leaders. This has caused all sorts of problems for the industry, but it has done wonders to present new opportunities for artists who may never have received an ounce of attention before.
Move this into the publishing world, and you see the same sort of thing happening there. The publishing industry is still in control right now, mainly because the model hasn’t completely developed yet. Online booksellers, like Amazon, Apple, and somewhat Barnes & Noble, are producing their own e-readers that allow writers to push their content to eager subscribers. However, the battle currently waging is who is going to control the process flow from this point forward.
The publishing industry is counting on its enormous clout to push their agenda forward. They have already pushed back against Amazon (which has forced the others to comply) where they forced the increase in the cost of books being sold on the Kindle. You used to be able to get brand new books for $9.99, but now you’re lucky if you can get one for $12.99. The game changer in the first battle was Ken Follett’s new book Fall of Giants, which publishers forced Amazon to sell at $19.99. The backlash against the book has been interesting as Kindle users included all sorts of bad reviews for the book based on the price alone, taking what would have probably been a five or four star reviewed book down to an average of about 3 stars. What’s interesting is that his reviews on this book tend to resemble an upside down bell curve, with 301 5-stars and 327 1-star reviews, with a tiny amount filling in for 2, 3, and 4-star reviews. In other words, the critics either really liked it or really hated it, and there’s no doubt that the really hated reviews come specifically from people who are pissed off at the price.
If this was the end of the fight, you’d think that the publishers pretty much won, but like most great stories, a new sliver has been added to the mix, with writers being that added variable. Writers, realizing that they need to somehow be able to take advantage of this new technology, have started to show up sans publishers (being their own publishers), and they’re starting to include their own novels at much lower cost than the publishers are forcing down the e-market’s throat. Rather than stick it out at $9.99 (or push it up to the publisher’s price of $12.99), writers are now starting to introduce their books at the $2.99-$4.99 range, providing a more comfortable area for readers to purchase on impulse alone. Some of the more prominent writers, instead of using their fame to push for $12.99, like the gas station economic model the publishers are following (one raises the price, the rest follow), are listing their books at $0.99. According to some of the better known writers doing this, they’ve pointed out that because of the amount of people willing to buy a book at that low price, their profit has actually been better than if they tried to sell their books at higher prices. The economic implications are staggering, the more you think about it.
The biggest problems facing the writers right now is how to actually get anyone to pay attention to them in the first place. The one thing publishers have going for them was that their clout actually got books into bookstores, and without that clout, an unknown writer is essentially that, an unknown writer. If no one knows you exist, the chances of selling a book are dismal, at best. So, right now, the battle has halted, as both publishers and writers realize they’re at an interesting crossroad where both can benefit, but neither seems willing to budge. Publishers aren’t interested in giving up their high percentages they receive for “publishing” books while writers are no longer interested in giving up the entire store just to get their work out there. Which means that once writers figure out how to jumpstart the system in their favor, the whole publishing industry is going to go the way of the recording industry.
But what can a writer do to become marketable without already being a famous writer who was selling books already? That’s an important question and one that I’m spending a lot of time studying.
In a move that is certainly going to cause stock markets around the world to increase and decrease at different levels, depending upon other, important national and international news, the unknown author Duane Gundrum was finally able to gain control of the domain name duanegundrum.com. Up until this time, the author was limited to using littlesarbonn.com, which his many fans (often referred to lovingly as “my stuffed animals”) know is the name of one of the characters in one of his equally unknown novels. Duane, quoted in while reading an issue of the New York Times, stated: “I don’t know why I didn’t think about it before. I mean, it’s my name. Why not actually use my name for my actual web site?”
Fans across the globe have responded immediately upon hearing the news. Lindsay Lohan was quoted as stating that her career is most definitely not over, even though new work has not been forthcoming for her from major studios, although it is not exactly clear what this has to do with the acquisition of Gundrum’s new web site. Other celebrities also responded with quotations that were equally baffling, none of which seemed to have anything to do with this breaking story. Charlie Sheen replied with something that sounded like profanity, although it is not clear if it was a response related to this story. President Barrack Obama was questioned by the White House Press Corps, and he responded that even though Gundrum has acquired this web site, President Obama still feels that the need to control airspace over Libya is a priority for the United States and NATO.
We here in the media, charged with following all things Gundrum, vow to continue to bring you breaking updates on this important story.
(Brucoe, the one independent member of Duane’s government. He is still undecided on the budget.)
Today, after a marathon session involving his partisan stuffed animals, Duane Gundrum has declared that he has come to an agreement to continue his spending plans for the next few weeks. Up until this time, his conservative stuffed animals, led by Scruffy the Bear, were holding out for more cuts in collections from his job at the Piggly Wiggly Convenient Store. However, after promising that Duane would cut back on discretionary spending, specifically Root Beer flavored Laffy Taffy candy bars, the conservative bloc decided it would fund Duane for a short period before he would have to reexamine his finances again.
Liberal leader Elmer the bean bag frog pointed out that Duane has been making numerous sacrifices this year by avoiding payments of his electricity bill, his cell phone bill and normal expenditures of necessary pornography at the Double Juggs Adult Bookstore. In Elmer’s words: “Duane has been suffering greatly during this period of downturn, and thus, we couldn’t see any other areas in which he could cut,” even though conservatives claimed that there were areas of spending that could be curtailed, such as iPhone apps, “special” massages at the controversial Madame Wong’s Swedish Massage Parlour, and random purchases of Twinkies and Ho-Hos.
(Liberal representative Elmo during a particulary tense negotiation session with the conservative whip.)
Members of both parties recognize that without a dedicated budget agreed upon by all members, Duane will continue to barely function economically and further discretionary spending may suffer as a result. There has even been a fear of insolvency with gas purchasing and difficult to cancel Netflix memberships.
This is the third time since both parties could not come up with a budget that Duane has been forced to push a spending plan into the new fiscal year. It is hoped that a consensus can be reached by the Stuffed Animal Lobby that is influencing finances in Duane’s government. We will keep you informed of further developments.
In other news, girls still don’t want to date Duane. We go to Angela in Grand Rapids for more on this continuing story…..
(A random selection of women willing to go on the record as “not interested in dating Duane”.)
This is a copy of my movie “Dead Clown Laughing”, one of my unusual comedies. The first link is the video on my blog site, and the second link is to the embedded video on You Tube.
This is the first time I’ve posted any of my movies, so I hope it works out okay. Please let me know what you think.
