Tag Archives: fame

Creating Apps, Programming and Just Plain Ole’ Creativity

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Recently, I mentioned that I had decided to start making apps. Originally, my thought was to program in Android, mainly because I wasn’t a fan of Apple’s nefarious walled garden. But then I started to realize that all of my Internet stuff was involved with Mac/Apple, including my iPhone and my iPad, so I ended up buying a MacBook Pro and downloading Xcode to start using Objective C to write iPhone and iPad apps. So here I am.

What I discovered is that getting started is never easy. I think this is why most app designers never end up actually designing any apps. The learning curve is freaking huge. But once you get past it, you actually start to get somewhere. But man, what a journey that learning curve has been. I could give you an Odyssey-like journey of a story, but I’ll save that for another time. I’d rather just talk about creativity and design today.

You see, I used to be a computer programmer back in the day when there weren’t a whole lot of different languages for programming. I learned BASIC and then went to school and learned FORTRAN. Right after that, I taught myself COBOL. Shortly after that, I designed my own word processor and then one of the very first databases (in the days before Filemaker and Access were even considerations). That first database housed the Asian threat assessment for the US Forces in Southeast Asia in the 1980s. People from all over the Asian allied forces visited my office during that time just amazed that I was able to take a paper filing system of known threats and turn it into something that people could use to compare cases they were working on. At the time, there was no such thing as an Internet linkage system, so if you wanted to access the database, you had to come to my office and enter the names yourself. Or they’d phone me and ask me over the phone; there was no thought of phone surveillance back then. We were really naive back then.

Anyway, I had designed this back when few people had personal computers. At the time, I used a Wang computer system. Personally, I coded on a supped up Radio Shack TRS-80 Model IV. Man, that thing was the shit back then. Now, it has less processing power than my $1.99 calculator I bought at Wal Mart.

But because I was in the military, the computer revolution quickly came and passed me by. I pretty much missed the whole thing. When I got out of the service, I had a few stints working for computer gaming companies like Maxis (working on Sim City and The Sims) and Electronic Arts, but it was pretty obvious that the programming world was changing quickly, and I was not keeping up with it.

For years, I kept telling myself I would get back into it. I created a bunch of games when I first started out, and I keep thinking that my way of coding is so much different than everyone else’s. I keep thinking I need to get back into it and develop something the way that only Duane might ever do. But I kept avoiding it and doing other things.

Then I decided to do the whole apps thing. And I’m learning. And right off the start, I’ve started to see a few things I would like to create that no one seems to be doing. And as I used to do back when I first started, I find myself wondering, why isn’t someone else coming up with these ideas, too? The self-indulgent part of me wants to say that I’m exceptional, but the cynic in me says that I’m not smarter or more innovative than anyone else. So why do I keep coming up with really bizarre ways to do things that other people aren’t? Some people look at Facebook and say, “wow, what a great idea. Wish I would have thought of that.” I looked at Facebook when I first saw it (and just a few minutes ago) and think: Why would they have stopped with that? There were so many other things they could have done with it, things that could have enhanced these social communities, but instead they created an interactive business card model that keeps you informed what other people might be doing, kind of like a boring stalker who has nothing better to do. Anyway.

So, I’m starting to think this is the direction I should have been going a long time ago. Currently, as I learn to code through Xcode, Alice and Objective-C, I keep coming up with grandiose ideas of things I would like to do. And I keep finding myself wondering, why isn’t someone else already doing this? I sometimes feel like Socrates responding to the Oracle of Delphi who claimed he was the smartest man alive, and Socrates spent the rest of his life trying to disprove the Oracle. Well, the difference is: The Oracle never said I was the smartest guy alive. As a matter of fact, the Oracle would have had no idea who I was and would have shrugged his shoulders if asked about me in the first place. At least I have an easy task ahead of me because I don’t have to disprove anyone of anything, and no government will force me to drink hemlock because I taught society’s kids to question authority. Nowadays, Socrates would have been unknown as well, competing against people like Kim Kardasian and Paris Hilton and the whole concept of being famous for being famous. But I’m kind of rambling now as this wasn’t really the topic I wanted to discuss.

So I’m making apps now. And I’m writing my first post on my iPad’s Word Press app. It might not even make it to the server. Hell, if I designed it, it would do all sorts of fun things, but knowing my attention to detail, “publish” would be the one thing I’d have forgotten, never thinking that was all that interesting to begin with. I guess there’s something to be said for practicalities. I hear they can be useful.

Battling Through the Trenches of Publisher’s Row

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"I read all of Duane Gundrum's books because he's so dreamy...."

In case you aren’t aware of it, there is a war taking place. I’m not talking about Libya, Afghanistan or Iraq. I’m talking about the war that is currently waging over the publication of books. What war? You say. Well, let me explain.

For years, in order to get published, you sent out your work to a publisher (or an agent in hopes of getting a publisher), and if you were very lucky, you might get a bit of an advance. Sometimes, those advances were for decent money. Around the 1970s and on, they started getting really small. Kind of dismal, actually. Unless you were already a famous author, like Stephen King. So, you would get about $5,000-$10,000, and then the publisher would take 18 months or so to create your book. Then it would get released. If it started to sell, great. You would receive about $1.67 for a $20 book for each sale, the publisher keeping pretty much everything else. After all, they were the publisher. That $1.67 would continue to knock down the amount of the advance you received until you actually started to make what are called royalties, which would be additional money the book made after you paid off the advance. Most books tended to not even make back the advance, so you were generally lucky enough if you made somewhat of a decent advance.

Well, recently, the publishing industry has kind of been turned on its side. E-books are becoming the new “in” thing, and strangely enough, publishers are still maintaining their dominance in the industry, because they are still the power brokers they used to be. In other words, in order to gain any attention whatsoever, you really needed the publisher to get the attention out that you had published a book. So, not surprisingly, publishers have been publishing e-books, too, and still taking that outrageous amount off the top, leaving writers with very little profit, even though the costs for publishers have diminished to almost nothing.

Something new has started to happen, which is turning the whole industry on its side now. Writers are going directly to the readers and selling their books without the publishers. And needless to say, this is causing a bit of a stir in the whole industry. Publishers need the writers to survive, and so they are doing everything possible to diminish the positive experience for writers, so that publishers still remain the power brokers that they have always been. Unfortunately for them, that model isn’t going to last that much longer.

The publishing industry is a lot like the music industry, and its current dynamic is going through a revolution much like the music industry has recently gone through as well. While there are still seriously powerful music leaders in the industry still calling shots, a lot of artists have gone directly to the Internet with their work, and are bypassing the profit model previously established by the RIAA and other such top-down industry leaders. This has caused all sorts of problems for the industry, but it has done wonders to present new opportunities for artists who may never have received an ounce of attention before.

Move this into the publishing world, and you see the same sort of thing happening there. The publishing industry is still in control right now, mainly because the model hasn’t completely developed yet. Online booksellers, like Amazon, Apple, and somewhat Barnes & Noble, are producing their own e-readers that allow writers to push their content to eager subscribers. However, the battle currently waging is who is going to control the process flow from this point forward.

The publishing industry is counting on its enormous clout to push their agenda forward. They have already pushed back against Amazon (which has forced the others to comply) where they forced the increase in the cost of books being sold on the Kindle. You used to be able to get brand new books for $9.99, but now you’re lucky if you can get one for $12.99. The game changer in the first battle was Ken Follett’s new book Fall of Giants, which publishers forced Amazon to sell at $19.99. The backlash against the book has been interesting as Kindle users included all sorts of bad reviews for the book based on the price alone, taking what would have probably been a five or four star reviewed book down to an average of about 3 stars. What’s interesting is that his reviews on this book tend to resemble an upside down bell curve, with 301 5-stars and 327 1-star reviews, with a tiny amount filling in for 2, 3, and 4-star reviews. In other words, the critics either really liked it or really hated it, and there’s no doubt that the really hated reviews come specifically from people who are pissed off at the price.

If this was the end of the fight, you’d think that the publishers pretty much won, but like most great stories, a new sliver has been added to the mix, with writers being that added variable. Writers, realizing that they need to somehow be able to take advantage of this new technology, have started to show up sans publishers (being their own publishers), and they’re starting to include their own novels at much lower cost than the publishers are forcing down the e-market’s throat. Rather than stick it out at $9.99 (or push it up to the publisher’s price of $12.99), writers are now starting to introduce their books at the $2.99-$4.99 range, providing a more comfortable area for readers to purchase on impulse alone. Some of the more prominent writers, instead of using their fame to push for $12.99, like the gas station economic model the publishers are following (one raises the price, the rest follow), are listing their books at $0.99. According to some of the better known writers doing this, they’ve pointed out that because of the amount of people willing to buy a book at that low price, their profit has actually been better than if they tried to sell their books at higher prices. The economic implications are staggering, the more you think about it.

The biggest problems facing the writers right now is how to actually get anyone to pay attention to them in the first place. The one thing publishers have going for them was that their clout actually got books into bookstores, and without that clout, an unknown writer is essentially that, an unknown writer. If no one knows you exist, the chances of selling a book are dismal, at best. So, right now, the battle has halted, as both publishers and writers realize they’re at an interesting crossroad where both can benefit, but neither seems willing to budge. Publishers aren’t interested in giving up their high percentages they receive for “publishing” books while writers are no longer interested in giving up the entire store just to get their work out there. Which means that once writers figure out how to jumpstart the system in their favor, the whole publishing industry is going to go the way of the recording industry.

But what can a writer do to become marketable without already being a famous writer who was selling books already? That’s an important question and one that I’m spending a lot of time studying.

I’ll let you know once I figure it out.

The Whackjobs Are Making the Rest of Us Crazy People Look Bad

Music, Religion, Social Networking, Writing, , , , , , , , , , ,
The Shania in all Her Wonderfulness

Most people who know me also know that I am a big fan of Shania Twain and her music. At one point, in my numerous writings and articles, I wrote a joke story about how I created a religion completely around Shania Twain, calling in Shaniaism. Since then, I’ve often joked about how I’m obsessed with Shania Twain and she won’t return any of my calls, even though I’ve maintained a collection of all of her restraining orders out on me. For the record, I’ve never contacted Shania Twain ever, nor would I ever, but it was today that I actually found out Ms. Twain actually has a stalker who has been trying to get close to her, sending her flowers and even showing up at engagements trying to get close to her. It kind of makes joking about such things not as funny, and obviously I’ll probably have to stop this line of humor, even though I have great respect for the Goddess Shania and all things that her religion entails. Oh, sorry. Kind of went off the deep end there again.

The point of this post is to address the fact that it’s getting to the point where people are starting to have to actually be very scared of each other. In the era of Twitter, Facebook and blogs, celebrities are now very much out in the public, trying to maintain their celebrity status while appearing to be very accessible to that same public as well. This has introduced a huge problem that I don’t think was ever intended, but we now have a public out there that thinks it’s actually worthy of interacting with those of celebrity, even to the point of misunderstanding the personal nature of celebrity contact with actual beliefs that an invitation has been offered, when obviously none has ever been suggested or imagined.

We should have probably realized this was the direction where we were leading back when some nutcase killed John Lennon for no other reason than he was obsessed with the musician. Over the years there have been people overly obsessed with famous people, who have gone and done some really ridiculous things, all in the name of believing that somehow they are living a part of that celebrity’s life, convinced that if that star or starlett just got a chance to know them, everything would work out smashingly. That’s always been a part of the joke of my Shaniaism, which in case you haven’t figured out was more a criticism of organized religions than an actual worship of the Great Shania Herself. Years ago, I thought of actually sending a copy of my published article (it was originally a newspaper article) to Shania Twain herself but then decided against it, realizing that if I was a star and some unknown person sent me something that indicated that person saw me as some kind of deity, I might not understand it’s a joke or analogy, and it might freak her the hell out. So I never sent it to her, figuring that she probably had enough on her mind as it was without having to worry that some professor across the country was going to show up on her doorstop hoping to worship her in person. Unfortunately, she’s already got an alleged nutcase that’s doing that already (and he’s supposedly some well-to-do person himself, which brings me to realize that these antics aren’t limited to crazed loners who live in their parents’ basement).

So, I guess my point that I want to make is that we really need to be cognizant of the fact that there are these people out there who have a limited grasp on reality. And because our communication mechanisms these days are designed more about bringing the celebrity closer to the audience, we have to realize that some of these audience members are probably going to think that the star is actually talking directly to him or her. You see this sort of thing in strip joints a lot, which should probably have scholars studying them nonstop, if it wasn’t for the fact that I suspect scholars would gladly do so but then actually not do any academic work while visiting strip joints on university dimes. But the point I was going to make is that quite often audience members will actually think that these women working in these places are dancing specifically for them, thinking that they actually have a chance at hitting it off with the attractive woman who is really there for the sole purpose of earning a living. This often leads to a lot of antisocial behavior, and quite often it leads to a lot of misunderstandings as well. But it is so easy to see how this same type of behavior is exactly the same kind of behavior that is taking place between celebrities and their audiences. It doesn’t matter if the celebrity is in front of them, on television, on the Internet or even in a magazine. The dangerous fact is that a lot of these audience members see themselves as the direct recipient in the funnel of communication, not realizing that the funnel broadcasts to numerous audience members instead of just the one person who sees himself/herself as the sole recipient.

Unfortunately, I don’t really know the solution to this problem as I believe the problem is only going to get worse as we develop more and more technologies that put us closer and closer to our celebrities. Perhaps the interaction will eventually create a back and forth conversation between an avatar that is disassociated from the original celebrity (thus being more of an android-like participant), but that still leaves the audience member believing that he or she is sharing an intimate encounter with the celebrity. We see this similar action with music quite often, when a musician plays a tune, and the listener feels that he or she has shared an experience with the musician, even though the experience may have been a recording or an encounter where the two entities are not even in the same location. Because the recipient has experienced an emotion with the deliverer of the message, there is a sense in that recipient that both shared the encounter, leaving a potentially awkward future encounter should the two ever meet in person, as the deliverer of the message never experienced the initial feedback to understand how a shared experience could have taken place.

So, I’ll break with that, figuring that the future will probably fill in a lot of the detail that I do not yet have to share. Perhaps the Goddess Shania might bring me the answers in my sleep. After all, she is all great and holy and all that. Isn’t that how those things are supposed to happen?

The Fascination With Celebrities

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I was reading a “top 50 reasons why you should be proud of living in New York City” and one of them had something to do with rubbing shoulders with famous people. First, I don’t live in New York City, and second, I’ve never understood the fascination with celebrities people have. I can understand liking someone because that person is a talented musician, actor, or whatever, but why care anything about their personal life? If Angelina Jolie is dating someone, who cares? It’s not like she’s going to be dating me, or anyone I know anytime soon, so why should I care? Why does anyone care?

I’ve always wondered about this focus people have on the lives of famous people. In the last decade or so, we’ve actually moved from a fascination with celebrities to a ridiculous amount of attention on non-celebrities who want to be celebrities and have become celebrities as a result. That, in itself, borders on complete insanity.

The fact is, the few times that I’ve actually hobnobbed with actual celebrities, I’ve discovered I really didn’t like them. Or they were so normal that they weren’t really all that much of celebrities to me. Yet, there is an entire industry that is fueled on this obsession with famous people.

I really don’t understand it.