Tag Archives: Television

We Seem to be Running Out of Good Television Shows

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Recently, I was looking for a good television show to watch on dvd. That’s kind of how I roll these days, watching dvd television series rather than original programming when it actually airs. What I’ve discovered is that everytime I watch a series that’s currently on, they cancel it. It doesn’t matter what it is, or how good it is, it happens to me all of the time. I mean, everyone has their complaint about the demise of Firefly, which was a great show for its time, but every other show under the sun as well gets canceled by today’s television networks. I started watching Star Trek Enterprise. Canceled. Watched The Sarah Connor Chronicles. Canceled. Jericho. Gone. Jeremiah. Gone before I even knew it. It seems no matter what I watch, it gets canceled.

I guess I could watch stupid shows like Two and a Half Men, but as much as I enjoy poking out my eyes with a spork, I just can’t watch that kind of garbage. An example is the sister show of that garbage one I just mentioned, Big Bang Theory. I bought the first three seasons of it for a pretty good deal at Best Buy, mainly because colleagues at work kept telling how funny it was. I think I chuckled every four episodes, and I finished watching the third season last night. Was not very impressed. It was like someone heard that geeks were funny, didn’t know anything about geeks and then wrote an entire series around what he “thought” geeks might be like if they were actually funny. Throw in a bunch of comic book references and various Star Wars/Star Trek-isms, and that’s pretty much the show. Oh, of course, you have to throw in a few hot females to exacerbate the whole idea that “geeks can’t get hot women” and then we’ve pretty much finished the triad of doom. Like I said, it had its moments of interesting jokes, but overall I keep wondering what happened to that last few weeks of my life. If I went with the premise of the show, it wouldn’t make a difference because geeks don’t have any worthwhile lives anyway, but let’s just say I’m not buyiing their nulled hypothesis.

Which leaves me searching through the Netflix queue hoping to find something, ANYTHING, to watch. I was in Best Buy the other day (when I bought the dvds for Big Bang Theory), and I noticed that Felicia Day‘s 4th Season of The Guild was out on dvd. I kind of wish I would have bought it then, but it was only 82 minutes, and I had been planning to spend a lot more time with a show. Should have bought it then. In case you’re not aware, Day’s series is a brilliant commentary of how actually to do geek humor, as it really gets it right and tells it from the perspective of people who ARE the geeks, in this case a guild of online gamers who have no other lives but the game. It’s completely believable and funny. An interesting ironic point is that one of the recurring characters (who showed up in the third season) is Wil Wheaton, the man who played Wesley Crusher when he was growing into adulthood. What makes it ironic is that he’s also a recurring character in Big Bang Theory, and I’ll go out on a limb and say that the few times he was in the show (as Sheldon’s arch enemy because he once showed up the main star of the series for a comic book convention signing) were the few times where I actually found myself enjoyiing the show. In those occurrences, Wheaton played essentially himself as a crass asshole of a person who may or may not actually be a lot like the actor himself, which surprisingly is not offputting, even though you would think it would be.

Unfortunately, I find myself unable to really find any great shows on television anymore. I sat down and watched on Netflix streaming the three seasons of Kyle XY, which was so much like so many other shows it was attempting to steal ideas from, like Roswell, the X-Files and even Buffy. So, until I find something decent, I’m kind of stuck waiting for Smallville to run out its final season before I’m left with nothing but these four empty walls of nothiness where my stuffed animals and I will finally realize we have very little to say to each other and lots of times to say it.

What it All Comes Down to

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I guess it’s time for another update on what’s going on, what’s on my mind, and where I think things are going.

1. My Readership. I suspect I really don’t have anyone reading this blog (my main one). It gets printed also on Open Salon, which might grant me a few readers there, but even there it’s a crap shoot as to whether or not anyone actually reads (or cares about) anything I have to say. I also import my blogs to my Facebook profile, and even though I have a bunch of “friends” there, I suspect practically no one reads anything I have to say there either.

It’s a real problem for a writer who wants to be taken seriously when no one reads anything he has to say. It gets really frustrating. I mean, Snooki can write a book and it becomes a bestseller based on her outrageous behavior alone, but a consistent writer generally has to kill someone in order to get anyone to read his stuff. And they wonder why so many literary types kill themselves before they ever become famous, often discovered after they blew their brains out over the frustration of trying to actually make it as a writer or an artist.

This means when I post my blog, I get tons of traffic, but I suspect it’s a bunch of bots that are trying to get people to buy their shit rather than actual people reading my blog. My spam filter logs dozens of spam messages a day, which are all the type that say something like: “Read your posting, and I completely agree with you. You should try out this new version of sex medication which can be found at….” Yeah, it gets really annoying and frustrating.

But just because I suspect one of my stuffed animals might be reading this by tapping into my wifi at home, I’ll continue….

2. Snow. I really hate it. I do. I’m not from Michigan, even though I live here. I’m from California, and if I could afford to live there or could have ever found a job there, I would be there right now. I hate the snow. I hate the cold. I turned on my heater two nights ago for the first time (been using an electrical set of heaters all Winter long), and it was so much nicer than just being able to heat up one small room, and not very well either. Even though my electrical heater could get the room up to about 70 or so, it felt like it was 45. I’m now using my real heater, even though it’s expensive as hell. But I can’t take the cold any more. I really hate it here.

3. The Whole Nook vs. Kindle Debate. I’ve written a few articles on this because I bought both a Nook Color and the $189 Kindle 3G + Wifi. I’ve completely given up on the Nook. I had two subscriptions to magazines with the Nook Color (Consumer Reports and the New York Times Book Review). I gave up trying to get the Nook to download Consumer Reports. It would start to download and then just stop. I would check the wifi signal, and it would register as fine. After three days of trying to download a magazine I already paid for, I gave up, cancelled my subscriptions and I will never use the Nook again. Contest over. The Kindle wins. It might not look as nice, but at least I can actually get content onto it. The Nook Color is a piece of shit that should never have been sold to people. I will never recommend it to anyone ever again.

4. Egypt. Things are probably going to get really interesting now that Mubarak went on the air and basically told the protesters: “I hear you, but I just wanted to say go fuck yourselves. Have a nice day.” He’s decided that even though people are out in the streets risking their lives, he’s not leaving. The Army has now backed him, which means that one of two things are probably going to happen. They’ll crack down on the protesters, and this will be one of those sorry moments in human history that people try to forget when talking about how great a people we are, or the people are going to end up going the way of the French Revolution, overthrowing the government and killing Mubarak if he doesn’t escape out of the country first. If you’re a dictator, and you pretty much give the finger to your people when they demand you step down, you really don’t have a lot of options that can play out from that moment on. I mean, all sorts of things can happen, but right now, it’s going to be a slaughter of people unless a whole lot of people back down, and when people are backed into a corner, they usually strike back instead of back down. Unless they’re Americans. Then they either sue you or back down and say that they want to spend more time with their families.

5. Relationships. I don’t know anything about this subject. I’m not in one. I don’t recognize one when I am in one. I don’t even know what women are, although I see movies with them in it, so I do believe they might exist, although I can’t verify it in person.

6. Politics in the USA. We’re going to be heading towards another presidential election with no electable people in the Republican Party, a current president who has done nothing to be reelected, other than make arousing speeches that don’t translate to actual action, and a whole lot of self-important politicians who think they deserve to be the next leaders of the free (in theory, at least) world. Right now, the front runners for the Republican Party seem to be Sarah Palin (the joke that keeps giving), Newt Gingrich (a pompous airbag that comes installed as standard equipment), a just-announced “I’m seriously considering it” Donald Trump (another rich buffoon who thinks that being rich translates to leadership potential), and a bunch of other people no one knows, has ever heard of, or cares one iota about whatsoever. So, right now, I’m calling it a boring presidential election where we reelect Jimmy Carter, um, Obama.

7. The Academy Awards. A bunch of movies I didn’t see, don’t want to see, and don’t care about, are competing for the top honors this year. As you can guess, I’m holding my breath in anticipation.

8. SyFy Becomes Shark Attack Channel. I don’t know when this happened, but my favorite channel (I remember actually asking a television station provider if they carried the SyFy Channel and not caring about any others) went from being a station with original science fiction programming with shows like Stargate SG1. Atlantis, Warehouse 13, Eureka, Battlestar Galactica (then Caprica), some variation of Star Trek, and lots of that sort of stuff. Now, it’s Man-Killing Shark and really bizarre movie of the week crap that stars Erik Estrada as a small town sheriff who is fighting a shark that has grown feet and chases people on the beach, but Estrada, who plays Skip William, is afraid of sharks because a shark killed his family in a drive-by shooting in Compton. Okay, that’s not a real show, but it should be. Who stole my SyFy Channel?

9. The Federal Budget is Out of Control. Um, when has it ever not been? We’re approaching the debt ceiling in February, when they told us that if we didn’t do things right, we’d be hitting that debt ceiling by September. Um, it’s FEBRUARY and we’re already arguing for having to increase the limit. And this is the government that’s trying to FIX the economy? Really?

10. Facebook Went Public. I laughed my ass off when I heard it was going to happen. If ever there was a bubble corporation that has absolutely no value whatsoever being sold for so many billions, I couldn’t find one. At least GM makes cars. At least Microsoft puts out a browser or operating system every now and then. But what does Facebook actually produce? Your content. Your friends. Your information. In other words, not a damn thing. Yet, they’re bad boy of leadership is now a multi-billionaire, and they’ve been launched as a fake IPO (a real one wasn’t done because the SEC would have hit them with all sorts of legal injunctions, which should automatically tell everyone something’s not on the up and up, but even that doesn’t cause people to take notice). Yeah, I use Facebook, but it’s such a non-entity in the grand scheme of things and is really only as important as it is at any one moment, knowing that it can go the way of Myspace in a second. Or like AOL, which still tries to regain some importance. Or sadly, like Blockbuster, that sad commentary of a video rental store that hasn’t realized it was obsolete ten years ago.

11. Verizon’s iPhone. Finally. Not that I want an iPhone on Verizon, but now I don’t have to read 10,000 stories manufactured by CNN about how great it would be to have the iPhone on Verizon. It’s there now. Leave me alone and stop hyping the stupid thing on your news site. Nobody really cares, as we discovered when no one lined up at the early Verizon Store openings that day, letting the event come and go without much fanfare. Nobody really cared.

12. Groupon’s Super Bowl Ad. All of the people who are upset about this incident don’t want to even deal with the ramifications of what really happened. First off, they all got upset at the ad where Groupon poked fun at itself by using the controversy of China and Tibet as its canvas. Well, here’s what they’re not getting, won’t get, and especially won’t ever own up to. The humor went over their heads. Not that they didn’t get it. It went OVER their heads, meaning they had to be smart enough to realize what was going on. Consider the source. It came from the direction of Christopher Guest, who is well known for creating comedy that not everyone gets, mainly because it pokes fun at people who are on stage and represents entire groups of people who when they watch it don’t always realize they’re being seen as the morons they really are because they’re so locked into their own little worlds that they are incapable of realizing the rest of the world sees them as ridiculous. It was the exact same humor used with Groupon, and of course, the people watching it were not Christopher Guest fans. They were Super Bowl fans, which I’m going to go out on a limb here and say we’re talking about two completely different intellectual mindsets here. Fill in the blanks to figure out which one I’m probably insulting here. I don’t really care. I’m not selling ads. Those people just didn’t get it and went nuts against Groupon. Why am I not surprised? I’m also not surprised that no one else is either.

13. Lindsay Lohan’s Theft Charge. Okay, I’ll admit it. I enjoy reading about the many demises of Lindsay Lohan. I don’t know her, I’m not a fan, and I probably shouldn’t care. But it’s like watching a train wreck happen in front of me. I probably should call 911 for help, but I can’t stop watching. I don’t get the same trill out of Charlie Sheen. Nothing about him fascinates me, nor does his drama. Lohan’s, on the other hand, completely fascinates me because I keep thinking that ir probably won’t get any worse, and then it does. I don’t even think she stole the thing, but that’s not even what keeps me interested. What keeps me interested is how someone can take her fame and continue to destroy her career, her future and any support from the community that she might ever have. Just the other day, her legal team says that it’s not going to deal with the allegations in public; they’ll deal with it in court. Then the first day of the trial, Lohan tweets her whole ordeal to the public, trying it out in the public again, even though that’s exactly what they said they wouldn’t do.

I can’t stop watching.

14. Writing. I’m taking a break from my current novel and working on a screenplay. Then I’ll be working on a word text game app that I’m designing for the android platform. I realized recently that there aren’t a whole lot of word text games out there any more, and I think it would be fun to create a new one. I remember how fun they were to create back when we were first designing computer games for the early systems, before graphics took over the industry.

That’s really it for now. If you’re actually reading this, let me know. I’d really like to know that there are people actually reading the blog.

Why Television is Failing So Much These Days

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Networks really don’t want to admit this, but they’re losing big time in the ratings wars. Oh, they’ll acknowledge it by saying really stupid things like, “we have to compete with so many other sources, like computer games, Xboxes and cable” but what they’re really not admitting is that they’ve so lost the pulse of America that they may never gain it back. The reason they don’t want to admit that they’re failing big time is that everyone who works for the networks realizes that his or her job is on the line if someone higher up realizes how incompetent they really are. So, instead of admitting it and fixing it, they’ll go on pretending that the emperor has no clothes and hope no one notices either.

Well, I’m going to put forth a couple of problems and solutions, and then we can kind of figure out if the networks are ever going to get any better.

1. The Hiatus. One of the biggest mistakes the networks could ever make is to start up a new show that starts to gain the attention of the public and then SUDDENLY yank it off the air for three or four months, and then let it reappear again. If there was a number one stupid thing to do so you could derail any chance at succeeding in ratings THIS  it is.

The origins of this stupid idea quite possibly came as a result of the infamous writer’s strike that halted all production for a period of time right in the middle of a brand new season. As a result, some really promising shows got canceled prematurely because they didn’t even get a first half of a season to gain popularity. They were pulled off the air during the strike and then never brought back.

Now, I could see this as one of those once in a lifetime situations, but somehow the networks thought this was a really good idea to subject viewers to a gap in time right in the middle of a show, as if this would cause them to come rushing back to that show, because they’ve been waiting and anticipating its return. This is supposedly what happened with LOST. But because it worked for LOST, they tried it with every other stupid show they aired. They did it with Heroes, and then Heroes went completely downhill. Then they did it with every other shows as well. SyFy became famous for doing this (even though it’s not a major network), and it is quite possibly the reason for the destruction of Caprica. Caprica was a somewhat decent show, but they cut it right in the middle of its first season so that people just stopped caring about the show. Then the second half came, and well, no one cared. So it got canceled.

That’s the problem right there. If you give us a new show and then halt it in the middle of the very first season, don’t expect us to come back. Sorry, but you lose.

2. Remake Hell. There’s a reason some shows were canceled the first time around. They failed. Remaking a failed show from yesterday may sound like a daring idea, but all it does is show that your network has no creativity whatsoever. Hawaii 5-0 might sound like a great idea, and I’m kind of liking the idea of seeing Grace Park in a bikini once a week, but to be honest, Hawaii 5-00 wasn’t all that great a show back then. I’m not all that excited about it now. So, I don’t watch it. And when others get over the fresh car smell, they probably won’t either. And that’s the most popular of the remake shows to have been done. Imagine what happens to the ones that aren’t as popular. The show V sounds like a neat idea, but it’s been done before. Even though some of the actors on the show are all from a Best of Sci Fi of all time (watching the cast is like watching a recap of who was once great in sci fi), it’s very hard to get past the fact that almost nothing in this show is original. And then they put it into half season hiatus (see complaint Number 1), which means they’re going to be seriously struggling to maintain an audience. And when they cancel it on us, they’ll blame us for not wanting to watch it.

3. No Faith in a Network. This is one of my biggest pet peeves with the networks. I generally don’t watch a new television show any more until it reaches the third season because I’m so tired of a show being canceled in the first or second season, right after I’ve gotten drawn into it. They did it to me with Harsh Realms (remember that one?), Terminator: The Sarah Connor Chronicles, Jericho, Jeremiah, Firefly, and Dollhouse. Why would I trust a network to actually continue a television show that I started to watch? It’s really not worth the effort until they’ve decided to reward us by actually continuing the show. But they won’t continue a show because none of us are watching it (maybe because we don’t believe you’ll continue it).

4. Rehashes of Overdone Formulas. How many Law & Order or CSI franchises can we create? As a matter of fact, do we really need another cop show of any sorts? At one point, I was getting paranoid while living in San Francisco because there were more cops on television from San Francisco than there were actual cops on the streets. I was scared to walk to the corner because on TV there was a crime happening every fifteen seconds in San Francisco. And I knew not to call a cop because they were all basket cases who were having problems dealing with their sanity (or ex-cops who were scared of their own shadows…thanks, Monk). Recently, there was a show with a guy who played a drugged out mafioso in New Jersey who was now a cop in Detroit. I was starting to wonder who I could trust anymore. I mean, I’m kind of scared just now writing about it. But stop giving us more stupid cop shows. There’s not as much crime in the world as there is on television. Stop scaring the crap out of us.

5. Bad writing. This is probably my biggest complaint these days. The Event stopped being an event for me because the writing was straight out atrocious. And then they backed it up with some of the worst acting since Pauly Shore decided to make serious movies. Or maybe he didn’t. I don’t know. Maybe it’s just a recurring fear I have. But either way, the writing is awful on some of these shows. I remember watching an episode of The Chase (or is it just Chase?), and three times in a row I was able to blurt out the next line of dialogue word for word before the actor could say it. And these were the “gotcha” moments that cop shows have where the hero gets to say the cool thing to the guy who is setting him or her up for a big dramatic moment. The writing was so bad that it was badly predictable.

That, in short, is why I find network television these days to be suffering. If they want to really compete with the competition that’s up against them, they have to raise their game. But they can’t raise their game if they’re going to keep doing the stupid things they keep on doing.

“The Event” and “Chase” Leave a Lot to Be Desired

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I gave them both a try. I even continued watching both shows long after I thought they had seriously jumped sharks, shark tanks and the Atlantic Ocean. But nothing about these shows has caused me to think that they’re worth any further watching on my part. Last night’s airing of both is a good example.

The Event

The series started off with a bit of an overhyped dud and has managed to dog paddle its way through the rest of the season. In the very first episode, they presented us with “the event”, or at least what I think was supposed to be the event. A plane was hurtling towards the president, and then out of nowhere it vanished. The next week, the plane reappeared in the desert. Then secret police/military helicopters showed up and may have slaughtered everyone. And then the bodies woke up. And then the bodies were now all prisoners wondering what happened. My writing of this makes it sound a lot more exciting than it really was. To be honest, it’s been extremely boring, accented with huge moments that generally don’t make any sense. And I don’t mean “doesn’t make any sense in a LOST sort of way”. It’s more a “doesn’t make sense in a Cop Rock (remember that show?) sort of way”. Nothing the show has done has caused me to really think: “I can’t wait to see how they pull this off” or “I wonder what’s going to happen next.” Instead, it’s been more like “I really can’t wait until they go to a commercial so I can do something constructive like check email for a spam message I’m hoping to receive.”

Last night’s episode was par for the course. Let me explain. The main actor, who is Jason Ritter, the son of John Ritter, attempted to act his way out of a paper bag in which he showed his range of “I’m in a panic mode cause I’m looking for my girlfriend” and “I’m in anger mode because I’m looking for my girlfriend.” Unfortunately, in the previous episode, he found his girlfriend, so his acting range has no purpose right now, as “I found my girlfriend, so I’m now going to act all frantic for no reason is hopefully not going to be noticed by the audience.”

And that’s a huge part of the problem with the show right there. The acting is atrocious. And I mean ALL of the acting. At first, I thought it was because they had really bad actors, but there are some pretty decent actors here who are doing some seriously horrendous acting, which to me means their director sucks because even bad actors can’t act this badly. An example: One of the main recurring actors is D.B. Sweeney who has done some great things in the past. He was in a show with Terry O’Quinn, the bald guy who plays Locke in LOST, called Harsh Realms, where he played the buddy of the main character, and he was really good in this part. When I saw he was now in The Event, I was actually thinking, wow, they got a good actor, mainly because I was seeing a lot of bad acting. They’ve done nothing great with him, and as a matter of fact, his acting is pretty crappy in this show as well, which immediately tells me that the director seriously sucks.

Another example was the appearance of Paula Malcomson, who plays, well, to be honest, I haven’t a clue who she was playing because I was having a seriously hard time paying attention when she finally appeared. Malcomson is the actress who plays Amanda Graystone in Caprica, who probably has one of the most nuanced parts in television these days on that show. In The Event, they decided that because she was a “serious” actress, they were going to let her show her talents at being completely nuts and off the wall. She puts on a 40 or so second rant that was basically best described as “bad actress overacting”. I half expected the two other actors in the scene to respond with “Really?” because it was so over the top bad acting that I couldn’t imagine anyone else remaining in character for the rest of that scene. But fortunately, we was joined by Jason Ritter and the woman who plays the FBI agent, so the bad acting continued ensue and a good time was had by all.

Let’s move on with the story. In the last episode, they released the mysterious woman who won’t tell the president her secrets because of some strange terrorist demand that the government do so. So, she goes on the subway, drives around for a while and then ends up in a wannabe Starbucks, orders coffee, and then her fellow accomplice throws off a tracking device placed in her food (and now in her) by mixing a similar tracking device in the creamer of the coffee so that soon 50 something people are walking around with the tracking device. And then the good/bad guy working with her ends up beating up one of his fellow FBI agents, burying him in the trunk of his car and then radioing the bad guy holding everyone hostage that he needs to come in.

So, they all move in on a huge warehouse where the bad guy is holding out. Fortunately, the government just so happens to see the mysterious woman walk in through the front door of the warehouse with a CC camera at the last second before she disappears behind the door. So an FBI crack team of guys in military uniforms with FBI blazened on the back of their jackets rush into the building to catch the big bad, mean terrorist. I say this because this leads to a typical police raid drama that should have required the writers and director to have actually watched a typical police raid drama some time  in the past because it has to be the biggest joke of a raid I’ve ever seen. First off, it had to be the slowest raid physically possible. After the crack team breaks through the front door, they waddle forward in as slow a manner as physically possible so that we end up with at least two commercial breaks before they get about fifteen feet past the front door. Before they even get that fifteen feet in, the executives of the FBI then come crashing in behind them. You can tell the executives because they’re the ones that don’t wear any protective gear other than a flack vest, but all have three piece suits, minus the jacket, because somewhere in Hollywood land some informed them that cops look much cooler with the dress shirt, flack vest and hand gun attire than with full body armor and machine guns like the rest of the guys were wearing.

So, in all of this time they’re raiding, the bad guys get away by crawling into a hole in a drain that’s located in the room next to the one where the ten thousand crack soldiers are breaking into their warehouse. And then, and this was my favorite part of the episode, he activates some mysterious glowing bomb and the double agent guy from before decides to sacrifice his life (even though he can get away just by stepping into the drain opening about two feet away from him) because somewhere down the line he had to give up a girl he fell in love with because being an alien (did I mention he was one of the aliens?) he would never age, and well, we learned from watching years of Highlander that you just can’t do that to a woman. But back to the great moment of television history: The President of the United States is watching the invasion over the CC camera, which for some reason is relaying the image in full HD television, and focused directly on the door where the FBI agents busted in. And then, for no apparent reason, the CC camera switches to a full view of the warehouse, and we watch it implode on itself. And all I’m left wondering is: Who the hell switched the camera angle, how did he know to do it at that time, and where did that new image come from? Unfortunately, those questions won’t be answered by The Event because they were stupid mistakes in creating the show, not mysteries within the show itself.

When the episode ended, I was almost comatose and thankful it ended. And then I watched the lead-in for The Chase.

The Chase

One of the stupidest shows I’ve seen in years. It involves a female US Marshal who apprehends fugitives. For some reason, they’ve made her out to be a chance-taking, thrill-seeking agent who risks her life constantly. In the beginning of this episode, she gets angry at one of her agents who doesn’t risk his life jumping onto a boat that might have three armed fugitives on it. Her second in command plays the Will Riker character of her conscience, who tends to try to keep her grounded.

What bothers me about the show is that it takes every cliche of Hollywood and uses it as if it’s brand new. Last night, there were three separate dialogue moments where a character said something, and I responded out loud with exactly what was going to be the zinger of a response. And word for word, I was right each time. I’m not kidding either.

The villains are cartoonish and way over the top. I kind of wondered where they would even imagine such people really existed. Even the bar in Mos Eisley didn’t have a cesspool of villainy like the ones that occur in Chase. Sometimes, I find myself rooting for the bad guys, just in hopes that the death of the US Marshals on the show might cause the show to never appear again on network television.

Both shows have been picked up for finishing out their season, but I imagine that is only because NBC has nothing better planned. It has done everything possible to hype the crap out of The Event, but it’s really not worth the effort. The only thing going for it is that it comes on right after Chuck, which is a great television show, even when it’s not at its best. Unfortunately, everything following Chuck makes me realize how nice it is that I own books that I can read instead.

Stargate Universe is Back–Intervention

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Well, the second season of Stargate Universe has premiered. For those who may have been following my blog, or had conversations with me about this show, you know that I haven’t been the greatest fan of the first season. First off, I love Stargate, and by that I mean both of the previous series Stargate SG1 and Stargate Atlantis. So I had a lot of hope for this show because I loved all things Stargate. But the first season was so flawed in so many different ways. The acting was all right, probably the only positive they had, but the writing was atrocious, and it was like they were just phoning in the whole thing. I never saw so many “let’s solve a huge conflict by going to a commercial and then coming back as if everything was solved off screen” moments in a show before. It was becoming a joke of what it could actually be.

So, when they left us with a cliffhanger for the end of Season One, I half expected them to come back and resolve the whole thing by some act of the gods that wouldn’t make any more sense than the rest of the episodes. But fortunately, they didn’t. Surprisingly, the first episode was not bad. But then, true to form, they went back to stupid resolution processes that keep causing me to pull out the few hairs I have left on my head.

The episode started out with a stand-off between the bad guys of the Lucian Alliance and the crew of the Destiny, the ship that has been the headquarters of this third installment of the Stargate enterprise (no, not that Enterprise). Anyway, the bad guy Varro ends up being a not so bad guy and saves the crew from being slaughtered but marooned on some desolute planet instead (geez, what a pal, eh?), and then he gets marooned, too, for going against the new crazy leader who takes over after Kiva dies from a gunshot during a gunfight with Colonel Telford, who also was shot in the stomach during the exchange. Anyway, the upshot is that the Lucian Alliance guys become all bad ass like and threaten to kill everyone, but Rush does a double cross, like he always does, and manages to play chicken with the Lucian guys by threatening to let some pulsar kill most of the people on board, except for where Rush and a few stragglers are holding up.

Meanwhile, TJ, who was pregnant last time we checked, and shot when Varro went nuts trying to, well, I really still don’t understand what he was trying to do when he started fighting his own people and grabbing for a machine gun that managed to kill everyone, including Elmo who was innocently recording his show at a nearby soundstage next door to the Stargate set, ended up on some planet they had been to before where they left half the civilian crew. Some aliens brought her there and it ends up being one of those situations where she’s kind of there and not there, but she’s going to be sent back, but her baby has to stay. That’s the deal. Or agreement. Or whatever. So TJ comes back, realizes that she lost her baby, because everyone on the ship thinks that she actually lost it on the ship, but in reality it’s living happily on some strange planet out in the Gamma Quadrant, or wherever it is they were.

So, here’s my thoughts. The show had some interesting action and character dilemmas. The Sergeant Grier character is becoming one of the most fascinating characters of all. He’s twisted, an asshole, but he’s so freaking loyal to Colonel Young that you have to just admire the man in his own violent way. Plus, the actor plays this character so well. I mean, I hate the character big time, but at the same time he grows on you in a pretty fascinating way.

The baby thing with TJ is completely understandable, although cowardly writing, in my opinion. They felt they had to get rid of the pregnancy, and I really think the decision was made to avoid having a baby they had to keep working with on the series each and every episode, because you know it would be that important if she had to keep it. It would be a constant set of episodes where her one defining line would be: “I have to protect my baby!” And honestly, I want to see her character grow without having to fall into such an old Hollywood, phoned in sort of characterization.

The Lucian Alliance guys bring an interesting dynamic because now we have a whole bunch of new characters who are now on the ship. Sure, they’re in lock-up right now, but you know they can’t stay there. They’re either going to be integrated into the crew, a la “the Maquis” from Star Trek Voyager, or they’re going to become further adversaries. Plus, one or two new actors might get pulled from them to become regulars, and some of them were actually pretty good, including the woman who takes over as their leader at the end. Unfortunately, they’re previous female leader died, and she could have been a fascinating character to build upon for the show.

They introduced the alien race (the one that saves TJ and keeps her baby) again, which means that they may have a much larger focus in the series. If not, they’re a bad plot save device. I’m hoping there’s something more going on because they hint that they’ve been paying attention to the Destiny crew and only jumped in when they had to do something to save TJ from death (she was dying from the gunshot would in the crazy machine gun spray by Varro’s bizarre heroics).

Rush is becoming a very conflicted character now. Before, he was trying to take the Destiny. Now, he’s sort of on the side of the good guys, so who knows where his loyalities and his motivations will lie for the future. I don’t think they ever really played out the end of the conflict between Rush and Young. Saying they’ll work together “for the sake of the crew” is okay, but logic dictates that there should have to be more to it than that.

Complaints: They’re still doing the last minute saves by Deus Ex Machima, and that’s getting on my nerves. Grier and Lt Scott were in one of those no win situations where they were stuck outside the ship, unable to get to a hatch to get back in before the pulsar hit. Even the annoying kid Eli couldn’t save them, so they were presumed dead. Then out of the blue they are safe, and they state that they were lucky enough to be shielded from the pulsar by where they were located. OH GREAT! No, that’s stupid. Don’t set up an imminent death moment and then say, oh we were saved because the pulsar just barely missed us, letting all of this happen off camera. This is continuously bad writing, and I was hoping they had fired all of those bad writers from the first season.

Unfortunately, those types of writing moments are what continue to bring down what can be a good show, because the season premiere was not bad. I enjoyed it. I just need them to be a bit more consistent and realize that the audience is not a bunch of teenagers who are constantly fooled by coin tricks.

Overall, I’m hoping this is a sign of better things to come this season, and even with reservations, I’m going to continue watching…for now.

Storms, power outages, and putting it all into some kind of perspective

Memoirs, Television, Uncategorized, , , , , , ,

Last night, I was sitting down to watch the season finale of Warehouse 13. It’s a quirky show that I’ve learned to like, and I was looking forward to see how they handled the final character arc they were playing out. Ten minutes into it, the cable provider’s satellite message appeared instead of the signal and indicated that it was having trouble connecting. Ten minutes after that, the message changed to “Acquiring Signal” and then suddenly all of the power went out.

So I sat in my apartment for fifteen minutes, thinking the power would eventually pop back on, but it never did. I found a flashlight to help me maneuver around the very dark apartment, and then figuring it was late enough, I went to bed.

The next morning, the power still was not on. Now, in the past I might have panicked and started thinking about all of the stuff in my fridge melting and going bad. But instead, I thought I get paid on Friday, and so what if I end up having to rebuy all of my groceries on that day. It’s not that big a deal.

Today’s a work day, so I got dressed in the pitch dark blackness and then went out to start my car. Well, I discovered a new problem: My garage door does not open without actual electricty. My garage is not attached to the apartment, so there was absolutely no way to get into it. My housing complex never bothered to include a key to the garage, so I realized I was not getting into my car. The housing complex’s manager’s office was also completely empty; apparently someone figured that with the power being off, it wasn’t a good deal to come into work on time. I guess they figured NO ONE would be interested in talking to the manager’s staff on a day when the entire complex was out of power. But oh well.

So I walked to the bus and took it to work. Haven’t done that in over a year, and it’s a very long walk to the bus, but I did it.

But all during this time I was walking, I examined the ramifications of the downed power grid. For about twenty minutes of walking, there was absolutely no power at all, although I did hear a generator working on one of the buildings. And then suddenly there were lights at about the twenty minute mark from where I lived. This area was not hit by the loss of power, or at least they had their power restored since it happened.

And this got me thinking about how little prepared so many people are for simple little hardships like this. I had a few flashlights in my apartment, so I was at least able to see. One of them burned out really fast, which told me that I had bought a pretty crappy flashlight. The others worked better, but it’s no fun finding out your flashlight is a cheap piece of crap when you need it most. It reminded me of some of those horror movies where someone’s in the dark, turns on her flashlight, and then a few seconds later it goes out. Makes the scene even scarier than if she never had light in the first place. But I digress.

What was interesting to me is that I’ve been through a few power outages over the years, including a few earthquakes that took place in California. And each one of those events caused me to prepare a little bit more for the next time. Each new scenario I came across made me feel a little bit more prepared for the next time, and that always felt good.

This time, I didn’t feel like I was really lacking all that much, and there was very little reason to panic. I did, however, hear quite a few muffled fights going on between couples and families in my apartment complex. This new entrance of events did not bode well for quite a few of them. And I wondered if this would cause them to be more prepared next time, or would it just cause them to complain a lot until things came back under normal, and then they’d be unprepared for next time as well. I don’t really know how they’ll handle it.

And that leaves me wondering about how well people are prepared for handling bad situations that they might come across. I know people have a tendency to go off like poffy hairdressers every time something doesn’t work out the way they planned, but what if something happens that occurs over a length of time? How do people handle that, and can they? I’ve been watching this BBC show “Survivors”, which is about a fictitious disaster that happens, leaving a small segment of the British population alive. It took place in the 1970s, but it was interesting how poignant those events were and how relevant they could be for today. If something happened that took away our sense of normalcy, how well would we handle ourselves? Would we live long and prosper (sorry, bad Vulcan humor) or would we end up panicking until we wasted away or died?

Unfortunately, I don’t have the answers to that. I’d like to think we’d never have to find out, but I fear that the answers aren’t ones I’d really like to hear.

Stewart/Colbert hold a real rally, but no one will probably take them seriously

Politics, Television, , , , , , ,

Jon Stewart of the Daily Show is planning to hold a major rally in Washington, D.C. that is a direct response to some of the stupidity that has been happening by pundits and/or politicians like Glenn Beck and Sarah Palin. The theme of the rally, being held on October 30, is “Rally to Restore Sanity”. Stephen Colbert, not one to miss out on the fun, is holding a counter rally at the same time, in the same location, titled: “March to Keep Fear Alive.”

The significance of this event (these events) is that politics and media have gotten stupid lately. So, what better way to hold them in check but to call them out on it.

The problem that I perceive is that the news media doesn’t even realize that it’s being ridiculed for how bad they’ve gotten. What is most likely going to happen is some pretty face is going to announce the success of this “event” and treat is as if they’re somehow “in” on the joke. I think that’s what pissed me off the most about whenever the news covers Stewart and Colbert. They so often are NOT “in” on the joke, but the actual butt of it, and I’m sorry but laughing about it doesn’t make it any different when they go back to doing exactly what they were doing that caused the ridicule in the first place.

Unfortunately, this is a one time event. Which means that the media will get right back to being stupid again.

Some of the Best Writing on TV May Never Be Seen

Television, Writing, , , , , , , ,

It’s kind of funny, actually, but there is this bias against certain types of programming on television, specifically that of the science fiction and fantasy variety. But surprisingly, some of the best dramatic writing I’ve ever viewed has been from this genre, and unfortunately no one really seems to be watching it.

An example is the one that everyone talks about when it comes to science fiction, and that’s the rehash of Battlestar Galactica, which had to be one of the best dramas I’ve seen on television in ages. It was intense, well acted, and with plot twists that were so well constructed that it was shocking at how well it was carried out. Some other examples would be some pretty obscure titles, including one I was watching last night that was unbelievable for how well it was written, and that show is Doctor Who. Over the last few years I’ve kind of paid attention to this show, but always thought it was a bit too campy for me. I was watching the middle of the fourth season of the latest variation of this show, and out of nowhere the writing was just overwhelming. Some of the plots were just genius, and then the way they pulled the stories off was beyond anything I’ve seen in modern television. There was one episode that took place on a futuristic airliner (done to be much like the cabin of any airplane, but in space), and the character interaction was just off the charts. The plot seemed somewhat simple, but the story quickly went from a “what’s out there” to a Lord of the Flies segment of anarchy that I kept thinking they were going to somehow blow this great moment of television, but they never did. They did a really good job of maintaining the type of power they were going for, and it was like a seasoned director took a great screenplay and made it just right. You don’t see that very often.

Lately, we’ve seen some brilliant character-driven storylines on recent television shows like LOST, which has shocked so many people at how it did exactly what it set out to do. Yet, we’re still left with this sense that science fiction and fantasy is trash that really shouldn’t be paid attention to.

I had a conversation the other day with someone who told me that she only watches dramas, like Gossip Girl, because she likes shows that are a lot more realistic. I’ll not even comment further on that one, but I’m sure you get the idea. People are so convinced that it has to be a drama to be considered real, yet I can’t tell you how many of our dramas are some of the worst writing that has come along in ages. Sure, there are exceptions, but way too often we’re given trash and get so used to it that we give accolades to medium level stuff, as if it is brilliant. A couple of examples come to mind because I’ve been watching these shows and still can’t believe that people think these are the best we have to offer.

Breaking Bad. An okay show, but for some reason every review of this show acts as if it is the greatest television show ever. I’m deep into the second season of it, and it’s okay. It’s not great, but it’s okay. What I would like to comment about this show is something no one wants to admit: It’s basically Weeds with a much more serious story line. And Weeds does it so much better. Let’s look at that for a second.

Weeds has a woman who needs to make a lot of money because she lost her husband, so she goes into the marijuana dealing business. She has a bunch of wacky friends who hang around, and the show does everything possible to justify that this woman is doing a very bad thing but for the right reasons.

Breaking Bad has  a guy who needs to make a lot of money because he’s got cancer, so he goes into the meth dealing business. There are a bunch of somewhat wacky people who are part of his world (including a klepto sister in law and a DEA agent husband of the klepto who has all sorts of his own wacky drug-related adventures), and the show does everything possible to justify that this guy is doing a very bad thing but for the right reasons.

Both shows are essentially about the same thing, except unlike Weeds, people don’t generally consider meth to be as innocent as they do marijuana. So it has some problems there. All along, I watch Breaking Bad, waiting for the great moments everyone talks about, but I find myself thinking, “why should I care for this guy who is creating a product that is destroying the lives of so many so he can take care of his family?” It’s like the show Dexter, another “great” that people talk about. I watched all of three episodes before I thought, “I can’t root for this guy” and never watched it again. There’s a point where rooting for the underdog just doesn’t justify rooting for the criminally insane guy who considers himself above the law.

Other “great” shows: Rescue Me. I bought the first season and had a hard time getting through the first episode. Trite writing that tries too hard to play the 9/11 angle of brave firefighters. Let’s make them somewhat crazy, and everyone will root for them. Hasn’t worked so well for me so far.

Sadly enough, there aren’t enough ground-breaking shows out there, and the few that are just don’t seem to be that great themselves. Which is pretty sad because the really, really good shows don’t last very long.

Anyway, just a gripe that is slowly going off track now, so I’ll end there.

When a GREAT book is made into a movie

Television, Writing, , , , ,

I have always been a fan of espionage writer Ken Follett. Although he’s written a few books I didn’t care for, like the Modigliani Scandal, which is a horrible book in my opinion, he’s also written some of the greatest thrillers of our time, like Eye of the Needle and Key to Rebecca. But a few years back, after a hiatus where we didn’t see much from Follett, he came out with an unassuming book called Pillars of the Earth. Unlike any of his previous work, this was an historical novel that follows the adventures of a mason who has the solitary desire of building a cathedral in medieval England. The characters he creates in that story are brilliant, and the long-reaching arc he employs in the craft of the story is masterful. It has easily become one of the t0p books on my list of books to recommend ovre the years. Recently, he released a sequel to the book, World Without End, and it, too, was a wonderful book.

Well, they’ve finally come around to making a TV movie out of the first book, and I’ve been torn about this. Some books I’m fine with being turned into a movie because they were okay books, and I was curious to see what they would do with it. But when a masterpiece is turned into a movie, I’m very apprehensive about watching it, because no amount of casting, screenwriting and cinematography can do justice to a masterpiece.

Now, I’ve been wrong with this a few times, like with the Lord of the Rings trilogy. Great movies, and they complemented the great books and didn’t diminish them in any way. Other than Excaliber, which isn’t really a movie about a book but of an entire concept, I’m torn on finding another one that was as successful an adaptation as Lord of the Rings was. I don’t think there’s a single movie out there based on a book where I haven’t been disappointed. Okay, maybe Star Wars, but the book was more based on the movie (even though I know the book was written first), so it didn’t really have that sort of problem.

On the other hand, I know there are so many people out there who will never take the time to read a book that is over 1000 pages long, no matter how good it is. So this might be the only chance for them to ever experience the world that Follett created. But it leaves me thinking that so many people will come away from the experience thinking they read the book, or managed to do enough, that the book is no longer necessary to read. It reminds me of the dorks in school who would be assigned to read a book in a literature class and then at the last minute watch the movie, thinking they got the whole experience of the book. And they would write their report on the movie, pretending they read the book. And it was so obvious they got a limited interpretation of the book (the screenwriter’s interpretation). It used to really bug me because they’d think they “got away with it” when they really missed the reason the book was assigned in the first place.

So, I’m torn as to whether or not I’ll watch the movie. But secretly I want to see what they did with it, but internally I keep feeling that if I see it, and I hate it, then it might forever taint my enjoyment of the book that I once had. Probably not, but it’s always something to think about.

Why E-Readers Just Won’t Take Hold in America

Movies, Television, Writing, , , ,

There’s been a lot of hype over the last couple of  months because of the emergence of the IPAD, which has been predicted to usher in a new age of reading. This has caused all of the other e-reader makers to ramp up their business models, each one of them vying for the ultimate control of this incoming market. But I have bad news for all of them. That market’s not coming. Sorry, but it’s not.

You see, there’s a funny thing happening on the way to the the emerging market. There’s been an interesting fantasy that’s been playing out in the American public that is somewhat identical to the reason why so many Americans are fat. Every now and then, we look in the mirror and realize we’re fat, so we tell ourselves (and everyone around us) we’re going to go on a diet. And for a few days, we feel good about ourselves. And then we order that hot fudge sundae for dessert, and well, the diet kind of goes away. Oh, we rationalize it with promises of future exercise, but we know deep down that we’re going to go back to our old ways. And we do. Then we continue to get fat, and then we suddenly wake up, look in the mirror and then announce we’re going on a diet. Rinse. Repeat.

That’s what’s happening with E-readers. For the longest time, the majority of Americans stopped reading. We started watching TV, playing video games and doing anything but anything intellectual. Our reading output in this country is abysmal, and we know it. But every now and then, we promise to start reading again, and we go to the bookstore and buy lots of interesting books that we put on a shelf and never read. Oh, we might start reading, but then something else comes along and we stop. Rinse. Repeat.

So, when the E-reader came along, we all jumped up with joy and said we’d start reading books now because they’d be easier to read. So people went out and bought IPADs. I’m guessing that after the new car smell disappeared from the devices, they stopped being the most important carry item for those planning to read. Or they started using them for other reasons.

In a few months, publishers are going to start wondering what happened to that emerging market of electronic books. Sure, some will sell, but nowhere near the amount that was promised when this new technology was going to usher in a new era of reading.

You see, on the surface and deep down, we’re kind of lazy. Some of us read a lot. Most of us don’t. But we won’t tell you that because everyone wants everyone else to think we’re all little Einsteins walking around with encyclopedias for brains.

Maybe I’m wrong, but I suspect I’m not. But one can hope for better results than the usual expectations. As a writer, it bothers me that more of my country folk don’t read. But what can I do? Our medium of communication is movies and television. And even in those areas we aren’t all that impressive as we tend to focus more on reality programming and sports programming than anything else.

But that’s why E-readers probably won’t take hold in America. We’re too busy pretending to diet while watching people getting voted off the island.